Is culture brokered like stocks, real estate, or marriage? In this engaging book, Richard Kurin shows that cultures are also mediated and indeed brokered by countries, organizations, communities, and individuals -- all with their own vision of the truth and varying abilities to impose it on others. Drawing on his diverse experiences in producing exhibitions and public programs, Kurin challenges culture brokers -- defined broadly to include museum professionals, film-makers, journalists, festival producers, and scholars of many disciplines -- to reveal more clearly the nature of their interpretations, to envision the ways in which their messages can "play" to different audiences, and to better understand the relationship between knowledge, art, politics, and entertainment. The book documents a variety of cases in which the Smithsonian has brokered culture for the American public: a planned exhibit on Jerusalem had to balance both Israeli and Palestinian agendas; debates over the 1996 Olympic Arts Festival presented differing visions of the American South; and the National Air and Space Museum's controversial display of the Enola Gay prompted the Smithsonian to re-examine the role of national museums. Arguing that cultural exhibits reflect a series of decisions about representing someone, someplace, and something, Reflections of a Culture Broker discusses the ethical and technical problems faced by not only those who practice in a museum setting but also anyone charged with representing culture in a public forum.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Richard Kurin is director of the Smithsonian's Center for Folklife Programs and Cultural Studies and oversees the Festival of American Folklife, Smithsonian Folkways Recordings, and a variety of cultural education programs that have won Academy, Emmy, and Grammy awards.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
EUR 21,39 per la spedizione da U.S.A. a Italia
Destinazione, tempi e costiDa: Wonder Book, Frederick, MD, U.S.A.
Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Codice articolo Q07P-01197
Quantità: 1 disponibili
Da: SecondSale, Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice articolo 00045616915
Quantità: 2 disponibili
Da: Katsumi-san Co., Cambridge, MA, U.S.A.
Hard Cover. Condizione: Very Good-. Condizione sovraccoperta: Very Good Dust Jacket. First Printing. While the bottom verso of the back free endpaper has a Withdrawn stamp, this volume has no other marks and it is not known from where it was withdrawn (aside from the stamp, the book is in Very Good condition); the dust jacket's back flap has a short closed tear at the bottom fore-edge corner; tight, text clean. xv, [1], 315 p., illustrated [otob: 20]. Codice articolo 900549
Quantità: 1 disponibili
Da: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Cloth. Condizione: Good. Condizione sovraccoperta: Very Good. A Good, internally clean, solid hard cover copy in a complete untorn Very Good dust jacket. This copy has some light staining to the fore edge, the bottom edge and to a small area of the endpapers at the bottom of the spine. There is similar staining to the dust jacket that is visible only on the inside of the jacket. These stains are most likely from a coffee spill. #. Codice articolo 15615
Quantità: 1 disponibili
Da: Open Books, Chicago, IL, U.S.A.
hardcover. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books. Codice articolo mon0000747020
Quantità: 2 disponibili