The tintype, patented in 1856, was a cheap, fast, easy-to-make, practically indestructible type of photograph that became enormously popular among the working class in the late nineteenth century. For common laborers and their families, the opportunity to join the ranks of those who owned pictures of family and friends--the upper classes--was momentous. This collection exhibits more than eighty examples of a specific kind of tintype: occupational portraits, photographs of working people with the tools of their trade. Michael L. Carlebach examines the historical significance of these tintypes and finds that they reveal a great deal about late nineteenth-century values. The subjects of these images are plumbers proudly holding their wrenches and pipe cutters, carpenters with their saws and lathing hatchets, textile workers with their spindles and yarn, icemen with their tongs. These people lived and worked at a time when a depersonalized factory system run by production and efficiency experts was beginning to dominate American industry and culture. Many of the men and women in these tintypes were part of a disappearing class of self-employed artisans and journeymen; their portraits proudly stress their individuality and the essential nobility of their work. The most common reaction of historians to tintypes has been undisguised contempt or, at best, indifference. The photographs were generally seen as hopelessly unartistic and common. Yet Carlebach celebrates these anonymous portraits and finds that they say as much about today's working Americans--who are much more likely to document their toys and leisure activities than their professions--as they do about the working men and women who proudly sat for them in a much different age.
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Michael L. Carlebach's most recent book is American Photojournalism Comes of Age (Smithsonian, 1997). He is a professor in the Department of Art and Art History at the University of Miami, Florida.
Michael L. Carlebach's most recent book is American Photojournalism Comes of Age (Smithsonian, 1997). He is a professor in the Department of Art and Art History at the University of Miami, Florida.
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Da: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail. Codice articolo OTV.1588340678.VG
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Codice articolo G1588340678I3N00
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G1588340678I4N00
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Da: Magus Books Seattle, Seattle, WA, U.S.A.
Hardcover. Condizione: VG-. Condizione sovraccoperta: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. shimmery finish to jacket is a bit dull from shelfwear. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Codice articolo 1379278
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Da: Goodwill of Central and Coastal Virginia, Richmond, VA, U.S.A.
Condizione: acceptable. Codice articolo CCVV.1588340678.A
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Da: Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.
Condizione: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy. Codice articolo SEWV.1588340678.G
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Da: SatelliteBooks, Burlington, VT, U.S.A.
hardcover. Condizione: Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire. Codice articolo 230822015
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Da: THE PRINTED GARDEN, ABA, MPIBA, SANDY, UT, U.S.A.
Hard Cover. Condizione: NF. Condizione sovraccoperta: NF. First Edition, First Printing. Duodecimo. Light brown cloth covered boards and spine with dark brown lettering on the spine. Book has a nearly uinnoticable bump at the head and tail of the spine. White endpapers. Binding is straight and tight. Pages are all clean, white, and crisp. 130 pages. Illustrated throughout with a handsome gallery of tintypes. Dust Jacket - has a nearly unnoticable trace of rubbing at the extreme tips of a couple of the corners - otherwise clean, shiny, and sharp. Codice articolo 009359
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Da: SatelliteBooks, Burlington, VT, U.S.A.
hardcover. Condizione: Very Good. Hardcover. Very Good / Very Good dust jacket. Free of any markings and no writings inside. Clear Text. Minor shelf-wear. For any additional information or pictures, please inquire. Codice articolo 230717011
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Da: Lloyd Zimmer, Books and Maps, Chanute, KS, U.S.A.
Cloth - Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition / First Printing. 130 pages. Dust jacket is now in a clear Brodart protective sleeve. Codice articolo 042386
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