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The first in-depth study of Man Ray’s groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works
Man Ray (1890–1976) worked in a range of media, but central to his practice was the rayograph, a type of photogram (or camera-less photograph) that he revolutionized and introduced into the Dada and Surrealist milieu of 1920s Paris. Oscillating between representation and abstraction, painting and photography, the rayograph was ambiguous in its making and subject matter, epitomizing avant-garde concerns of the day.
This richly illustrated book is the first to look at Man Ray’s work through the lens of his eponymous process, tracing a through line from the rayographs to his paintings, photographs, drawings, objects, and films, and highlighting the interconnections and shared motifs among them. Stephanie D’Alessandro and Stephen C. Pinson analyze Man Ray’s innovative methods while also exploring key themes across his art production, such as chance, indeterminacy, transformation, and the dualities of solid and transparent, shadow and light, form and space, and object and body.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(September 14, 2025–February 1, 2026)
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
Stephanie D’Alessandro is Leonard A. Lauder Curator of Modern Art and senior research coordinator in the Department of Modern and Contemporary Art, and Stephen C. Pinson is curator in the Department of Photography, both at The Metropolitan Museum of Art, New York.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Man Ray : When Objects Dream
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Man Ray (Hardcover)
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Metropolitan Museum of Art, New York, 2025
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Hardcover. Condizione: new. Hardcover. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works Man Ray (18901976) worked in a range of media, but central to his practice was the rayograph, a type of photogram (or camera-less photograph) that he revolutionized and introduced into the Dada and Surrealist milieu of 1920s Paris. Oscillating between representation and abstraction, painting and photography, the rayograph was ambiguous in its making and subject matter, epitomizing avant-garde concerns of the day. This richly illustrated book is the first to look at Man Ray's work through the lens of his eponymous process, tracing a through line from the rayographs to his paintings, photographs, drawings, objects, and films, and highlighting the interconnections and shared motifs among them. Stephanie D'Alessandro and Stephen C. Pinson analyze Man Ray's innovative methods while also exploring key themes across his art production, such as chance, indeterminacy, transformation, and the dualities of solid and transparent, shadow and light, form and space, and object and body. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025February 1, 2026) Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781588398024
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Man Ray : When Objects Dream
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Metropolitan Museum of Art, 2025
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ISBN 13: 9781588398024
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Man Ray
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ISBN 13: 9781588398024
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Hardback. Condizione: New. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works This is the first in-depth study of the rayograph (or camera-less photograph) pioneered by Man Ray (1890-1976) in 1920s Paris, between the Dada and Surrealist movements. The transformative, magical qualities of these experiments led the poet Tristan Tzara to describe them as capturing moments "when objects dream." Oscillating between representation and abstraction, the rayograph was ambiguous in its making and subject matter, encapsulating avant-garde concerns of the day. This book highlights connections and shared motifs between the rayographs and Man Ray's paintings, photographs, drawings, objects, and films. Stephanie D'Alessandro and Stephen C. Pinson analyze the artist's innovative methods while also exploring key themes across a broad range of his art production, such as chance, indeterminacy, transformation, and preoccupation with dualities. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025-February 1, 2026). Codice articolo LU-9781588398024
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