A social historical reading of Hemingway through the lens of race
William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner’s racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway’s fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too.
Twentieth-century white America was plagued by guilt in its dealings with Native Americans; simultaneously, it faced an increasingly dissatisfied African American populace. Marc Kevin Dudley demonstrates how Hemingway’s interest in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his whiteness, Hemingway’s treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity.
Hemingway, Race, and Art expands our understanding of Hemingway and his work and shows how race consciousness pervades the texts of one of America’s most important and influential writers.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Marc Kevin Dudley is assistant professor of English at North Carolina State University in Raleigh. He received his Ph.D. from the University of North Carolina at Chapel Hill. He has published in the Hemingway Review and is currently at work on an anthology of Afro-European literature. This is his first book.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Gulf Coast Books, Cypress, TX, U.S.A.
hardcover. Condizione: Good. Codice articolo 1606350927-3-32787876
Quantità: 1 disponibili
Da: Bay State Book Company, North Smithfield, RI, U.S.A.
Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. Codice articolo BSM.11LQ6
Quantità: 1 disponibili
Da: 3rd St. Books, Lees Summit, MO, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Very good, clean, tight condition. First printing. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking. Codice articolo 096836
Quantità: 1 disponibili
Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9781606350928
Quantità: Più di 20 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 15820555
Quantità: Più di 20 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 15820555-n
Quantità: Più di 20 disponibili
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. A social historical reading of Hemingway through the lens of race William Faulkner has long been considered the great racial interrogator of the early-twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner's racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway's fascination with, and eventual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too.Twentieth-century white America was plagued by guilt in its dealings with Native Americans; simultaneously, it faced an increasingly dissatisfied African American populace. Marc Kevin Dudley demonstrates how Hemingway's interest in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his whiteness, Hemingway's treatment of race is characteristically complex, at once both a perpetuation of type and a questioning of white self-identity.Hemingway, Race, and Art expands our understanding of Hemingway and his work and shows how race consciousness pervades the texts of one of America's most important and influential writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781606350928
Quantità: 1 disponibili
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Num Pages: 160 pages. BIC Classification: DSK. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 23. Weight in Grams: 508. . 2012. 1 New. Hardcover. . . . . Codice articolo V9781606350928
Quantità: Più di 20 disponibili
Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: As New. Unread book in perfect condition. Codice articolo 15820555
Quantità: 1 disponibili
Da: GreatBookPricesUK, Woodford Green, Regno Unito
Condizione: New. Codice articolo 15820555-n
Quantità: 1 disponibili