Something completely new from New Yorker cartoonist Roz Chast, a graphic memoir that walks the line between poignancy and humor as she tells the personal story of her parents' final years.
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Roz Chast's cartoons began appearing in the New Yorker in 1978, where she has since published more than one thousand. She is the author of the graphic memoirs Can We Talk About Something More Pleasant?, a #1 New York Times bestseller (100+ weeks), a National Book Critics Circle Award and Kirkus Prize winner and finalist for the National Book Award; National Bestseller I Must Be Dreaming; Going Into Town (Winner of the New York City Book Award); What I Hate: From A to Z; and her cartoon collections The Party, After You Left and Theories of Everything, among others. She was awarded the Harvey Hall of Fame Award. She lives in Connecticut and New York.
#1 New York Times Bestseller
2014 NATIONAL BOOK AWARD FINALIST
In her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
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