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Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume's contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays.
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Informazioni sull'autore
Annalisa Castaldo is associate professor of English at Widener University.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Shaping Shakespeare for Performance
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Fairleigh Dickinson University Press, 2015
ISBN 10: 1611477840
ISBN 13: 9781611477849
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Shaping Shakespeare for Performance: The Bear Stage (The Fairleigh Dickinson University Press Series on Shakespeare and the Stage)
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Fairleigh Dickinson University Press, 2015
ISBN 10: 1611477840
ISBN 13: 9781611477849
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Shaping Shakespeare for Performance: The Bear Stage (The Fairleigh Dickinson University Press Series on Shakespeare and the Stage)
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Fairleigh Dickinson University Press, 2015
ISBN 10: 1611477840
ISBN 13: 9781611477849
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Shaping Shakespeare for Performance
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Hardback. Condizione: New. Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume's contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays. Codice articolo LU-9781611477849
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Shaping Shakespeare for Performance: The Bear Stage
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ISBN 13: 9781611477849
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Shaping Shakespeare for Performance
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book collects essays by actors, directors, scholars, and teachers who are exploring the ways in which the plays of William Shakespeare and his contemporaries were-and still are-performed.KlappentextShaping Shakespeare for Perfor. Codice articolo 32579566
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Shaping Shakespeare for Performance: The Bear Stage
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Shaping Shakespeare for Performance
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Associated University Presses, US, 2015
ISBN 10: 1611477840
ISBN 13: 9781611477849
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Hardback. Condizione: New. Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume's contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays. Codice articolo LU-9781611477849
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