Winner of the James Berry Poetry Prize 2024
Shortlisted for the Jerwood Prize for Best First Collection 2026 (Forward Prizes)
In her debut collection Roshni Gallagher asks what can be seen, named or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. The elegiac series of poems Kala Pani reflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown.
Other poems navigate stories from Gallagher’s mixed heritage, from the Windrush generation to the sod houses in Ireland. She explores the tension between historical and personal silence – what can and can’t be spoken about. But stories are retained in the objects around us, from a pair of earrings made from stolen gold to a painting of a waterfall in the childhood home.
The poems look through windows, emerge from darkness, and traverse spaces ‘on the edge of things’ where land gives way to water. Seeing and being seen are often painful, yet there is beauty, healing and connection in what we choose to give our attention to.
‘What impresses me most about this debut collection is its honouring of our humanity, the naming of ordinary people with extraordinary lives. The Kala Pani sequence epitomises this: poignant, exquisite and haunting. Roshni Gallagher’s poems are so visceral, so perceptive, so adept in their use of echoes and white space, they will, to quote her, make you “vigilant when you walk down a street”.' – Patience Agbabi
‘These poems have a special light to them. They feel vulnerable and hard-won, like the best poems. They seem to want to sit down close with the reader and whisper these sad, honest and wonderful things that they know.’ – Niall Campbell
‘Intelligent, searching, and beautifully written, Roshni Gallagher's Even the Trees is an exceptional debut collection, full of enviable phrasing and insight. It's wonderful to find a new poet whose work you know you will continue to follow.’ – Karen Solie
‘These poems are delicately calibrated: they are able to pick out how the stars are not above us, but all around, how the Perseids fall like a shoal of metallic fish; but also carry the awareness of how there is pain in "seeing and being seen", and that some knowledge "can’t be come back from". Here, currents of racism and colonialism persist alongside and threaten to overwhelm the wonder of the unknown, the experience of the natural world made new. A complex, assured, at times stunning debut collection.’ – Peter Mackay
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Roshni Gallagher is a poet from Leeds of mixed Indo-Guyanese and Irish heritage. She lives in Edinburgh. She has received an Edwin Morgan Poetry Award (2022) and a Scottish Book Trust New Writers Award (2022), and was joint winner of the James Berry Poetry Prize in 2024. Her pamphlet Bird Cherry was published by VERVE Poetry Press in 2023. Her first book-length collection, Even the Trees, is published by Bloodaxe Books in September 2026, and is on the shortlist for the Jerwood Prize for Best First Collection 2026 (one of the Forward Prizes). Her work has appeared in a variety of literary publications including Best Scottish Poems, Poetry Ireland Review, Poetry London, Irish Pages and Magma. She has an MFA in Creative Writing Poetry from the University of St Andrews.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. In her debut collection, Even the Trees, Roshni Gallagher asks what can be seen, named, or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. The elegiac series of poems Kala Pani reflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown. Other poems navigate stories from Gallagher's mixed heritage, from the Windrush generation to the sod houses in Ireland. She explores the tension between historical and personal silence - what can and can't be spoken about. But stories are retained in the objects around us, from a pair of earrings made from stolen gold to a painting of a waterfall in the childhood home. The poems look through windows, emerge from darkness, and traverse spaces 'on the edge of things' where land gives way to water. Seeing and being seen are often painful, yet there is beauty, healing, and connection in what we choose to give our attention to. Codice articolo LU-9781780377766
Quantità: Più di 20 disponibili
Da: CitiRetail, Stevenage, Regno Unito
Paperback. Condizione: new. Paperback. Joint winner of the James Berry Poetry PrizeIn her debut collection Roshni Gallagher asks what can be seen, named or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. The elegiac series of poemsKala Panireflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown.Other poems navigate stories from Gallagher's mixed heritage, from theWindrushgeneration to the sod houses in Ireland. She explores the tension between historical and personal silence what can and can't be spoken about. But stories are retained in the objects around us, from a pair of earrings made from stolen gold to a painting of a waterfall in the childhood home.The poems look through windows, emerge from darkness, and traverse spaces 'on the edge of things' where land gives way to water. Seeing and being seen are often painful, yet there is beauty, healing and connection in what we choose to give our attention to.Roshni Gallagherwas one of three winners of the 2024 James Berry Poetry Prize, judged by Major Jackson, Neil Astley, Imtiaz Dharker, Theresa Muoz and Nathalie Teitler. Launched in 2021, the James Berry Poetry Prize is Britain's first and only poetry prize offering both expert mentoring and book publication by Bloodaxe Books for young or emerging poets of colour. In her debut collection, Roshni Gallagher asks what can be seen, named, or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781780377766
Quantità: 1 disponibili
Da: Rarewaves.com UK, London, Regno Unito
Paperback. Condizione: New. This is a Pre - Release due out 17-09-2026 (This item will be delivered on or after the release date). In her debut collection, Even the Trees, Roshni Gallagher asks what can be seen, named, or remembered. From Scotland to Guyana, the poems explore the porous boundary between the past and the present, and how ecological landscapes and landscapes of the mind and body are permanently altered by migration and memory. The elegiac series of poems Kala Pani reflects on the history and legacy of Indian indentured labourers in the Caribbean. Following the experience of women in the moment of rupture as they cross the ocean, these poems hover at the border of what is known and unknown. Other poems navigate stories from Gallagher's mixed heritage, from the Windrush generation to the sod houses in Ireland. She explores the tension between historical and personal silence - what can and can't be spoken about. But stories are retained in the objects around us, from a pair of earrings made from stolen gold to a painting of a waterfall in the childhood home. The poems look through windows, emerge from darkness, and traverse spaces 'on the edge of things' where land gives way to water. Seeing and being seen are often painful, yet there is beauty, healing, and connection in what we choose to give our attention to. Joint winner of the James Berry Prize 2024 shortlisted for the Jerwood Prize for Best First Collection 2026 (Forward Prizes). Codice articolo LU-9781780377766
Quantità: Più di 20 disponibili