Over the last few decades there has been a scandalous increase in the number of forged paintings in tandem with a steep rise in the price of artworks. This also comes with an enhanced awareness on the part of professional forgers that their paintings might undergo scientific investigation.The Scientist and the Forger describes both innovative and long-held approaches to the detection of forgery and authentication of paintings with special focus on ground-breaking scientific techniques introduced in the last decade. It provides both the layperson and the scientist with a description of these new methods while relating them to both the most notorious cases where these methods have been applied.Fresh insights into the psychology of the viewer are provided and attempts to shed new light on the long-sought answer to the question: Why does the revelation that a work of art is forged make us view it differently? are discussed. The psychology of the forger is also explored as are the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing some of the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity, and making a case for the imperative necessity of integrating honest connoisseurship and competent science.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
The book accomplishes its goal of explaining how science is utilized in the art world in a way that is easily accessible and digestible for both those in the art world and those unaffiliated with the art world. Jehane Ragai s wealth of experience and knowledge on the subject matter is quite evident throughout the text and I highly recommend this text for anyone interested in learning more about how science operates in the art world.--Taylor Berrena, The Chartered Society of Forensic Sciences, UK
In an elegant and engaging style, Professor Jehane Ragai provides us with an exceptional exposé of art, science, and business. Her description of the state-of-the-art scientific techniques is pedagogical and overarching, from microscopy to spectroscopy and from mass spectrometry to chromatography. And, the psychology of the viewer and forger is dealt with to highlight the impact of art forgery on the business industry. This book is a must-read for those who are interested in the science and business of art.
--Ahmed Zewail, Nobel Laureate in Chemistry (1999)Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: suffolkbooks, Center moriches, NY, U.S.A.
hardcover. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week! Codice articolo 3TWOWA000C93
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. 'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike. Over the last few decades there has been a scandalous increase in the number of forged paintings in tandem with a steep rise in the price of artworks. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781783267392
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo CX-9781783267392
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Da: California Books, Miami, FL, U.S.A.
Condizione: New. Codice articolo I-9781783267392
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Da: AproposBooks&Comics, London, Regno Unito
Hardcover. Condizione: As New. Codice articolo sTJWALBRO/161124/250HHHG
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Hardback. Condizione: New. "The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described."Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike. Codice articolo LU-9781783267392
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Hardback. Condizione: New. New copy - Usually dispatched within 4 working days. Codice articolo B9781783267392
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Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In English. Codice articolo ria9781783267392_new
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Codice articolo C9781783267392
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Da: Revaluation Books, Exeter, Regno Unito
Hardcover. Condizione: Brand New. 258 pages. 9.00x6.25x0.75 inches. In Stock. Codice articolo x-1783267399
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