In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political writings that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants - the Jewish immigrants, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the threat posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty, creating in the process an unforgettable portrait of a city.
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Joseph Roth (1894-1939) was the great elegist of the cosmopolitan, tolerant and doomed Central European culture that flourished in the dying days of the Austro-Hungarian Empire. Born into a Jewish family in Galicia, on the eastern edge of the empire, he was a prolific political journalist and novelist. On Hitler's assumption of power, he was obliged to leave Germany for Paris, where he died in poverty a few years later. His books include What I Saw, Job, The White Cities, The String of Pearls, The Emperor's Tomb and The Radetzky March, all published by Granta Books.
Michael Hofmann is a poet and German translator. His most recent collection of poems is One Lark, One Horse. He is a Granta contributing editor.
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Paperback. Condizione: new. Paperback. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political writings that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants - the Jewish immigrants, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues.Warning early on of the threat posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty, creating in the process an unforgettable portrait of a city. A classic of reportage: Roth's compassionate, incisive account of Berlin in the 1920s, chronicling the moral bankruptcy of the Jazz Age and the rising threat of fascism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781783788484
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Paperback. Condizione: New. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political writings that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants - the Jewish immigrants, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the threat posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty, creating in the process an unforgettable portrait of a city. Codice articolo LU-9781783788484
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