<div><div>Near the end of his life, the master sculptor Auguste Rodin (1840–1917) hired the poet Rainer Maria Rilke to serve as his secretary. Intensely sensitive to art and able to express this awareness in prose of great lyricism and clarity, in 1903 Rilke published a profound meditation on the unique power of Rodin’s sculpture. Written around a chronology of Rodin’s work, it is also an introduction to some of the greatest sculpture of the 19th century. A translation was soon produced by the American poet and artist Jessie Lemont. Unavailable for many years, this translation is reprinted here together with Rilke’s original illustrations.</div></div>
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<div><div><p style="MARGIN: 0in 0in 0pt">Rainer Maria Rilke (1875–1926) was one of the greatest German-language authors of the 20th century. He is renowned for both his poetry and prose.</p></div></div>
Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work.
In 1903 Rilke published this essay, a sustained and profound meditation on the uniqu
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Paperback. Condizione: New. Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century. Codice articolo LU-9781843680314
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Paperback. Condizione: new. Paperback. Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781843680314
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