Comedy: A Critical Introduction - Rilegato

Rozik, Eli

Rilegato

ISBN 10: 1845194772 ISBN 13: 9781845194772

Casa editrice: Liverpool Univ Pr, 2011

Riassunto

This book is an original approach to the study of comedy. While assimilating theoretical insights from Aristotle to the present day, the book contests, inter alia, the theory of comedy's ritual origin. It challenges the age-old and continuing attempts to determine the structure of action that characterizes comedy, suggesting instead that structures of action are shared by all genres, and that it is the specific mood that accounts for their differences. Mood is a prism through which a playwright wishes the spectator to perceive a fictional world. Comedy is characterized by its lighthearted mood, which generates a specific kind of laughter. If mood determines the genre of a fictional world - in contrast to current theory - comedy, satiric drama, and grotesque drama are different genres promoting different moods and aiming at different effects. Each genre should thus be read and experienced according to its inherent rules and not in terms of a theory that lumps these genres together. Comedy: A Critical Introduction discusses the pivotal role of commedia dell'arte in both reflecting comedy's classical tradition and influencing subsequent developments, especially in comedy's style of acting. It explores the relations between comedy and carnival and between comedy and joke-telling. It also probes the view that comedy is characterized by a unique vision and examines comedy in different media, such as cinema, comics, puppet theatre, radio drama, and TV drama. The book questions the traditional semiotic view that all meaning is in the text and suggests that, in generating comedic meaning, the spectator's contribution/reaction is no less vital than that of the text itself. Major contributions to a general theory of comedy - and to a sound methodology for the analysis of comedies - are presented. Ample references to comedies and/or pertinent analyses of such comedies - written over the course of 2,500 years of theatre recorded history - are provided, enabling readers to grasp ideas in their original terminology and logic. Each presentation is accompanied by critical comments which both introduce the problems involved and suggest possible solutions.

Su questo libro

Informazioni sull?autore

Eli Rozik is Ph.D. and professor emeritus of theatre studies. He was twice head of the Department of Theatre Studies and Dean of the Faculty of the Arts at Tel Aviv University. He specializes in theatre theory, particularly in non-verbal communication in performance analysis; and has published numerous articles in international leading journals in Europe and the US. His books include The Language of Theatre; The Roots of Theatre Rethinking Ritual and Other Theories of Origin; Metaphoric Thinking; Generating Theatre Meaning; Fictional Thinking; Comedy: A Critical Introduction; Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies; and Future Theatre Research.

Dettagli dell'edizione

• Editore: Liverpool Univ Pr
• Data di pubblicazione: 2011
• Lingua: Inglese
• ISBN 10: 1845194772
• ISBN 13: 9781845194772
• Rilegatura: Copertina rigida
• Numero di pagine: 242
• Contatto del produttore: non disponibile
• Persona responsabile: Buchpark GmbH; gpsr@buchpark.de; ; Krügerweg 1; Trebbin; Brandenburg; 14959; Germania