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What can an art object tell us about its meaning today and at its execution? Can we 'read' artifacts to find out why they were made and for whom? What do they reveal about their context and how has their value changed over the years? Understanding Art Objects presents thirteen essays written by teachers and consultants at Sotheby's Institute addressing these exact questions.

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Informazioni sull?autore

Tony Godfrey is Director of Research at Sotheby's Institute and Programme Director of the MA in Contemporary Art at Sotheby's Institute, Singapore; Megan Aldrich is Academic Director of Sotheby's Institute and a Fellow of the Society of Antiquaries; Julia Hutt is Curator of Japanese Art at the Victoria and Albert Museum and is a Consultant Lecturer on the MA in East Asian Art at Sotheby's Institute; Carrie Rebora Barratt is a Curator of American Paintings and Sculpture at the Metropolitan Museum, New York. She is also Programme Director for the MA in American Fine and Decorative Arts at Sotheby's Institute, New York; Catherine Morel is a Lecturer in Marketing on the MA in Art Business at Sotheby's Institute; James Malpas is Course Leader of the Styles in Western Art and Styles in Asian Art at Sotheby's Institute; Juliet Hacking is Programme Director of the MA in Photography at Sotheby's Institute. She was the specialist in photography at Sotheby's auction house, London, from 2000 to 2006; Anthony Downey is Programme Director of the MA in Contemporary Art at Sotheby's Institute; David Bellingham is Programme Director of the MA in Art Business at Sotheby's Institute; Bernard Vere is a Lecturer on the MA in Fine and Decorative Art at Sotheby's Institute; Elisabeth Darby is Programme Director of the MA in Contemporary Design at Sotheby's Institute; Eugene Tan is a Consultant Lecturer for the MA in Contemporary Art at Sotheby's Institute, Singapore; Anna Moszynska is a Consultant Lecturer on the MA in Contemporary Art at Sotheby's Institute.

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Godfrey, Tony, Aldrich, Megan, Hutt, Julia
ISBN 10: 1848220162 ISBN 13: 9781848220164
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Condizione: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo GRP92273304

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ISBN 10: 1848220162 ISBN 13: 9781848220164
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Paperback. Condizione: Very Good. What can an art object tell us about its meaning today and at its execution? Can we 'read' artefacts to find out why they were made and for whom? What do they reveal about their context and how has their value changed over the years? Understanding Art Objects presents thirteen essays written by teachers and consultants at Sotheby's Institute addressing these exact questions. Each essay focuses on a single work, ranging from the 1st-century Jenkins Venus to Teresa Margolles' 127 Cuerpos, demonstrating Sotheby's theory of object-based learning in action. The contributors ask their readers to approach an artwork by looking at the work and identifying what is particular to it, and then assessing how it compares with other objects and what its condition tells us about its history. Only then is the discussion widened to consider the object's significance in an art-historical narrative. The texts are all written to appeal not just to the scholar, the professional and the connoisseur interested in evaluating art but to anyone curious as to what objects mean and represent. This collection of essays offers lively and insightful comments on a perpetually topical field, and as such is an invaluable learning resource. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR004166381

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Godfrey, Tony, Aldrich, Megan, Hutt, Julia
ISBN 10: 1848220162 ISBN 13: 9781848220164
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Da: Better World Books: West, Reno, NV, U.S.A.

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Condizione: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo GRP92273304

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