Fuji as seen by Chris Steele-Perkins emerges as a meditation about modern Japan and Japanese life. The exquisite images offer a fresh and surprising view of Japan’s iconic mountain and an understanding of Japanese worldview as seen by an outsider who has penetrated its diversity with astounding clarity, metaphysical insight, and profound complicity.
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(Fuji as seen by Chris Steele-Perkins emerges as a meditation about modern Japan and Japanese life)
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
EUR 17,34 per la spedizione da Regno Unito a Italia
Destinazione, tempi e costiEUR 38,09 per la spedizione da U.S.A. a Italia
Destinazione, tempi e costiDa: Zebra Books, Cambridge, Regno Unito
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Hardback with dust jacket. Minimal surface wear. No marks or damage. Fine/VG+. Codice articolo BD116*
Quantità: 1 disponibili
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title! Codice articolo Q-1884167128
Quantità: 1 disponibili
Da: ModernRare, CHICAGO, IL, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st Printing. Signed. 132 pages. Published in 2002. Landmark collection of photographs. One of the most beautiful photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Chris Steele-Perkins: Oversize-volume format. Red cloth boards with black titles embossed on spine, as issued. Photographs by Chris Steele-Perkins. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Steele-Perkins' "Fuji: Images of Contemporary Japan". Photographs of the dynamic and complex country. Unlike any other documentary, landscape, or street photography (all of which he draws upon), Steele-Perkins has struck upon an arrestingly simple idea for his portrait of a whole nation: Every single one of the photographs has Mount Fuji in it, visible in the background, looming over Japan, whether it's Tokyo, Kyoto, or a small town, village, and ricefield. It is easy to overlook what Chris Steele-Perkins has pulled off, and his achievement therefore deserves to be emphasized: He has made us keenly aware once again of the background, which we have come habitually to ignore when looking at photographs. His approach is subtle, cunning, and instructive in every image: Mount Fuji is the background in varying degrees of recession, sometimes looming over the horizon and too close for comfort, sometimes remote and distant, omnipresent yet never the main subject. While the Eiffel Tower is the concrete visual symbol of Paris, it does not symbolize France whereas to every Japanese (and every tourist), Mount Fuji is the enduring symbol of Japan. The idea is unrepeatable because there is no other mountain that any other people have vested with such symbolism. Mount Fuji was a central aspect of Japan's imperial - and ultimately disastrous - ambitions, remains a part of every important ceremony to this day, and continually reminds the Japanese people that they have once risen mightily, fallen shamefully, and risen triumphantly again, an economic powerhouse and the most advanced artistic culture in Asia today. The idea for the book was inspired by Hokusai's masterpiece, "The Thirty-Six Views of Mount Fuji". Hokusai discovered the Western notion of perspective through Dutch etching and radically transformed the Japanese wood-block print. As strange as it may sound, his resulting prints have a depth of field that is best described as photographic, and part of Steele-Perkins' achievement is to show precisely that fact in his own images. "Hokusai would have welcomed him as a worthy successor" (Ian Buruma). An absolute "must-have" title for Chris Steele-Perkins collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Chris Steele-Perkins. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 105 color plates. One of the greatest photographers of our time. A fine collectible copy. (SEE ALSO OTHER CHRIS STEELE-PERKINS TITLES IN OUR CATALOG) ISBN 1884167128. Signed by Author. Codice articolo 21465
Quantità: 1 disponibili
Da: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Codice articolo Scanned1884167128
Quantità: 1 disponibili