Articoli correlati a Historical Grammar of the Visual Arts
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A survey of the different visual arts within a sweeping conception of the history of culture by a highly influential figure in art history.
The work of Alois Riegl (1858-1905) has been highly influential in art history of the modern age. Riegl, the most important member of the so-called Vienna School, developed a refined technique of visual or formal analysis that departed from the iconological method, which emphasized decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects (or what would now be called visual or material culture), and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). His major works include Foundations for a History of Ornament, Late Roman Art Industry, and The Group Portraiture of Holland. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions.
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Historical Grammar of the Visual Arts (Mit Press)
Da: Webster's Bookstore Cafe, Inc., State College, PA, U.S.A.
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hardcover. Condizione: Very Good. Mild general wear to covers. Bright pages. Some underlining and marginalia near the beginning of the book, in pencil, and mostly neat. Sound binding. Codice articolo mon0000136828
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Alois Riegl: Zone Books: Historical Grammar of the Visual Arts
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Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9781890951450. Codice articolo 9872761
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Historical Grammar of the Visual Arts. Alois Riegl. Transl. by Jacqueline E. Jung. Foreword by Benjamin Binstock.
Editore:
Zone Books; New York, 2004
ISBN 10: 1890951455
ISBN 13: 9781890951450
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Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
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Condizione: Sehr gut. 495 Seiten; Illustrationen; 23,5 cm; fadengeh., rückengoldgepr. Orig.-Leinenband mit farb. illustr. OUmschlag. Sehr gutes Exemplar. - Englisch. - Alois Riegl (* 14. Januar 1858 in Linz; 17. Juni 1905 in Wien) war ein österreichischer Kunsthistoriker, Denkmalpfleger und Vertreter der Wiener Schule der Kunstgeschichte. 1894 wurde er außerordentlicher, 1897 ordentlicher Professor für Kunstgeschichte an der Universität Wien. 1902 bis 1905 war Riegl neben seiner Professur Generalkonservator der Zentralkommission für die Erforschung und Erhaltung der Kunst- und historischen Denkmale. Alois Riegl prägte für die Kunsttheorie den einflussreichen Begriff des Kunstwollens als definierende Kraft einer Stilepoche. Er wendete sich gegen eine an Werteurteilen orientierte Kunstgeschichtsschreibung und betonte die Bedeutung der damals als "Verfallszeiten" geltenden Epochen (Spätantike). Seiner Ansicht nach ist die antike Kunst Ausgangspunkt sowohl der frühmittelalterlichen wie auch der orientalischen Kunst. Einflussreich wurden auch Riegls Konzepte in Sachen Denkmalschutz. Ähnlich Georg Dehio in Deutschland plädierte Riegl gegen die im 19. Jahrhundert verbreitete "Perfektionierung" und den purifizierenden Weiterbau historischer Bauwerke (etwa gotischer Kirchen). (wiki) // INHALT : Foreword --- Alois Riegl, Monumental Ruin: --- Why We Still Need to Read Historical Grammar of the Visual Arts --- Benjamin Binstock --- Translator's Preface --- Übersetzungsfragen: Form, Communication, and Questions of Translating Riegl --- Jacqueline E. Jung --- First Version --- BOOK MANUSCRIPT OF 1897-189 --- Introductory Remarks --- WORLDVIEW --- First Period: Art as Improvement of Nature Through Physical Beauty --- Growth --- Summit --- Decline --- Second Period: Art as Improvement of Nature Through Spiritual Beauty --- Further Developments of Art That Improves Physical Nature --- Byzantine Art --- Art of Islam --- The Actual Course of the Second Period in the West Italy --- THE GROWTH OF NATURE-SPIRITUALIZING ART IN ITALY --- THE SUMMIT OF NATURE-SPIRITUALIZING ART IN FOURTEENTH-CENTURY ITALY --- THE DECLINE OF NATURE-SPIRITUALIZING ART IN THE RENAISSANCE --- Germanic Peoples --- THE GROWTH OF NATURE-SPIRITUALIZING ART AMONG GERMANIC PEOPLES --- The First Impact of Late Roman (and Byzantine) Art on Germanic Peoples --- Carolingian and Ottonian Art The Phase of Romanesque Art --- THE SUMMIT OF GERMANIC CHRISTIAN ART IN --- THE THIRTEENTH AND FOURTEENTH CENTURIES --- THE DECLINE OF GERMANIC CHRISTIAN ART --- Third Period: Art as Reproduction of Transitory Nature --- PART TWO ELEMENTS OF THE WORK OF ART --- Purpose --- First Period: Art Perfects Nature --- Ancient Egyptian Art i --- Greek Art Bejore Alexander the Great i --- Antiquity from Alexander to Constantine the Great --- Second Period: Art Spiritualizes Nature --- Third Period: Art Competes with Nature for Its Own Sake --- V Motifs --- The Nature-Beautifying Period --- Ancient Egyptian Art --- Greek Art Before Alexander the Great --- Antiquity After Alexander the Great --- The Nature-Spiritualizing Period --- Art in Italy --- THE EARLY CHRISTIAN PERIOD --- THE GIOTTESQUE PHASE --- THE RENAISSANCE --- Germanic Christian Art --- THE PERIOD OF GROWTH TO THE TWELFTH CENTURY --- Early Origins from 476 to 768 C.E. --- Carolingian-Ottonian Period --- Romanesque Period --- THE SUMMIT OF GERMANIC CHRISTIAN ART THE DECLINE OF GERMANIC CHRISTIAN ART --- The Period Since 1520 --- Italy --- People of Germanic Roots --- VI Form and Surface --- First Period: Nature-Improving Art --- Egypt --- Greek Art Before Alexander the Great --- ORGANIC MOTIFS --- INORGANIC MOTIFS --- Antiquity After Alexander the Great --- LINEAR PERSPECTIVE --- LIGHT AND SHADOW --- AERIAL PERSPECTIVE --- Second Period: Nature-Spiritualizing Art --- The Revolution of Late Roman Art --- ORGANIC MOTIFS --- INORGANIC MOTIFS --- Byzantine Art --- Islamic Art --- Italian Art --- ROMANESQUE PHASE --- GIOTTESQUE ART --- THE RENAISSANCE --- Draft of the Missing Conclusion --- Gothic --- Italian Renaissance Architecture --- Baroque Architecture --- Second Version --- Introduction --- PART ONE WORLDVIEW --- I First Period: Antique Anthropomorphic Polytheism to the Third Century C.E. --- Ancient Near Eastern Polytheism --- Classical Polytheism to the Hellenistic Age --- The Hellenistic Age --- II Second Period: Christian Monotheism, 313-1520 --- The Eastern Roman Christian Worldview --- The Western Roman Christian Worldview and Its Relation to Art --- III Third Period: Natural-Scientific Worldview --- PART TWO ELEMENTS --- IV Motifs and Purposes --- Motifs in Antiquity Under the Polytheistic Worldview --- Ancient Near FMStern Art --- The Summit of Antique Art with the Greeks --- EARLY GREEK ART --- CLASSICAL ART --- LATE ANTIQUE ART --- LATE ROMAN ART -- (u.a.) ISBN 1890951455 Sprache: Englisch Gewicht in Gramm: 750. Codice articolo 1220903
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Historical Grammar of the Visual Arts
Editore:
Zone Books, 2004
ISBN 10: 1890951455
ISBN 13: 9781890951450
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Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
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hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Zone Books, 2004; same date on title and copyright pages, no additional printings indicated; 495pp. VG/VG- hardcover in VG dust jacket. Binding is tight, sturdy, and square; minor wear to edges of black cloth boards, gilt titling remains bright and bold; text very good; dark brown spotting on top edge of page block, does not affect interior. Light wear to edges of unclipped dust jacket; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Codice articolo 318994
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Historical Grammar of the Visual Arts (Mit Press)
Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
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hardcover. Condizione: New. In shrink wrap. Looks like an interesting title! Codice articolo Q-1890951455
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Historical Grammar of the Visual Arts (Mit Press)
Da: HPB-Red, Dallas, TX, U.S.A.
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hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_406155418
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Historical Grammar of the Visual Arts (Mit Press)
Da: Toscana Books, AUSTIN, TX, U.S.A.
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Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Codice articolo Scanned1890951455
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Historical Grammar of the Visual Arts (Zone Books)
Da: The Book Spot, Sioux Falls, MN, U.S.A.
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Hardcover. Condizione: New. Codice articolo Abebooks455623
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