During the early 1960s, Riley’s black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967.
This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February–25 June 2016) that chronicles the period of change which took place before, during and after Riley’s representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 1967–85 situate this important painting within its context.
Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley’s ensuing career.
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Da: HPB-Blue, Dallas, TX, U.S.A.
paperback. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority! Codice articolo D_00000000000010283383
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Condizione: New. Codice articolo 25799168-n
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. During the early 1960s, Riley's black-and-white work employed elementary shapes to convey movement and light. Having tested this limited set of means, the artist incorporated colour into her paintings in 1967. This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale. Using Rise 1 (1968) as a starting point, the carefully selected group of paintings and works on paper from 196785 situate this important painting within its context. Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Riley's ensuing career. AUTHOR: Paul Moorhouse is a curator at the National Portrait Gallery. SELLING POINTS: . This volume accompanied an exhibition at Graves Gallery, Sheffield (18 February25 June 2016) that chronicles the period of change which took place before, during and after Riley's representation of Great Britain at the 34th Venice Biennale Alongside over 30 full-colour illustrations, an essay by Paul Moorhouse explores how the adoption of colour informs developments throughout Bridget Rileys ensuing career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781909932203
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Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. Codice articolo 397432945
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Codice articolo 26398976942
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Da: Biblios, Frankfurt am main, HESSE, Germania
Condizione: New. Codice articolo 18398976932
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Da: ANARTIST, New York, NY, U.S.A.
Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. Codice articolo BrRiMu30
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Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran February 18 through June 25, 2016. Features an essay by Paul Moorhouse. Includes numerous color illustrations. A fine copy in French style wrappers. Codice articolo 205775
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