Sinossi
Suicide is everywhere. It haunts history and current events. It haunts our own networks of friends and family. The spectre of suicide looms large, but the topic is taboo because any meaningful discussion must at the very least consider that the answer to the question — ‘is life worth living?’ — might not be an emphatic yes; it might even be a stern no. Through a sweeping historical overview of suicide, a moving literary survey of famous suicide notes, and a psychological analysis of himself, Simon Critchley offers us an insight into what it means to possess the all too human gift and curse of being of being able to choose life or death.
Five years after its initial publication, this revised edition of Notes on Suicide includes a new preface by the author addressing shifts in the discourse surrounding suicide, particularly in relation to social media.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Simon Critchley is Hans Jonas Professor of Philosophy at the New School for Social Research in New York. His previous books include On Humour, The Book of Dead Philosophers, How to Stop Living and Start Worrying, Impossible Objects, The Mattering of Matter (with Tom McCarthy), The Faith of the Faithless, Stay, Illusion!: The Hamlet Doctrine (with Jamieson Webster), Bowie, and Notes on Suicide (also published by Fitzcarraldo Editions). He is series moderator of ‘The Stone’, a philosophy column in the New York Times, to which he is a frequent contributor.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Notes on Suicide
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Fitzcarraldo Editions, 2015
ISBN 10: 1910695068
ISBN 13: 9781910695067
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Paperback. Condizione: New. New edition. Suicide is everywhere. It haunts history and current events. It haunts our own networks of friends and family. The spectre of suicide looms large, but the topic is taboo because any meaningful discussion must at the very least consider that the answer to the question - 'is life worth living?' - might not be an emphatic yes; it might even be a stern no. Through a sweeping historical overview of suicide, a moving literary survey of famous suicide notes, and a psychological analysis of himself, Simon Critchley offers us an insight into what it means to possess the all too human gift and curse of being of being able to choose life or death. Five years after its initial publication, this revised edition of Notes on Suicide includes a new preface by the author adressing shifts in the discourse surrounding suicide, particularly in relation to social media. Codice articolo LU-9781910695067
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Paperback. Condizione: New. New edition. Suicide is everywhere. It haunts history and current events. It haunts our own networks of friends and family. The spectre of suicide looms large, but the topic is taboo because any meaningful discussion must at the very least consider that the answer to the question - 'is life worth living?' - might not be an emphatic yes; it might even be a stern no. Through a sweeping historical overview of suicide, a moving literary survey of famous suicide notes, and a psychological analysis of himself, Simon Critchley offers us an insight into what it means to possess the all too human gift and curse of being of being able to choose life or death. Five years after its initial publication, this revised edition of Notes on Suicide includes a new preface by the author adressing shifts in the discourse surrounding suicide, particularly in relation to social media. Codice articolo LU-9781910695067
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Notes on Suicide (Paperback)
Editore:
Fitzcarraldo Editions, London, 2015
ISBN 10: 1910695068
ISBN 13: 9781910695067
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Paperback. Condizione: new. Paperback. 'This book is not a suicide note. Ten days after Edouard Leve handed in the manuscript of Suicide to his publisher in 2007, he hanged himself in his apartment. He was 42. Two years after Jean Amery's On Suicide was published in 1976, the author took an overdose of sleeping pills. He was 65. In 1960, some eighteen years after Albert Camus had raised and - so he thought - resolved the question of suicide in The Myth of Sisyphus, he was killed in a car accident. He is alleged to have said that dying in a car crash is the most absurd of all deaths. The absurdity of his death is compounded by the fact he had an unused train ticket in his pocket. He was 46.Let me say at the outset, at the risk of disappointing the reader, that I have no plans to kill myself. just yet. Nor do I wish to join the chorus of those who proclaim loudly against suicide and claim that the act of taking one's own life is irresponsible and selfish, even shameful and cowardly, that people must stay alive whatever the cost. Suicide, in my view, is neither a legal nor moral offence, and should not be seen as such. My intention here is to simply try to understand the phenomenon, the act itself, what precedes it and what follows. I'd like to consider suicide from the point of view of those who have made the leap, or have come close to it - we might even find that the capacity to take that leap is what picks us out as humans. I want to look at suicide closely, carefully, and perhaps a little coldly, without immediately leaping to judgements or asserting moral principles like the right to life or death. We have to look suicide in the face, long and hard, and see what features, what profile, what inherited character traits and wrinkles emerge. Perhaps what we see when we look closely is our own distorted reflection staring back at us.' 'We have to look suicide in the face, long and hard, and see what features, what profile, what inherited character traits and wrinkles emerge.' Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781910695067
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