An informative guide to the most iconic works in The Frick Collection honoring the museum’s reopening post-renovation.
From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick’s collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe.
When American industrialist Henry Clay Frick (1849–1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the “use and benefit of all persons whomsoever.” After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick’s daughter Helen Clay Frick (1888–1984), along with a board of trustees, was instrumental in the continuance of her father’s legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family’s private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were “pleasing to live with.”
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Aimee Ng is a curator at the Frick, where she is a specialist in Italian Renaissance art. Giulio Dalvit is the Frick’s assistant curator of sculpture, where he is a specialist of fifteenth-century Italian sculpture and painting. Marie-Laure Buku Pongo is the Frick’s assistant curator of decorative arts.
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G1913645673I4N10
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G1913645673I4N00
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Da: Wonder Book, Frederick, MD, U.S.A.
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Codice articolo T13A-08053
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo WY-9781913645670
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. An informative guide to the most iconic works in The Frick Collection honoring the museum's reopening post-renovation. From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick's collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe. When American industrialist Henry Clay Frick (1849-1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the "use and benefit of all persons whomsoever." After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick's daughter Helen Clay Frick (1888-1984), along with a board of trustees, was instrumental in the continuance of her father's legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family's private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were "pleasing to live with." Informative guide to the most iconic works in The Frick Collections holdings, encapsulating the range and depth of the collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781913645670
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. An informative guide to the most iconic works in The Frick Collection honoring the museum's reopening post-renovation. From paintings and sculpture to decorative arts, this publication encapsulates the range and depth of Henry Clay Frick's collection. Organized chronologically and by geographic school, The Frick Collection is designed to offer a sense of the connections between, and diversity among, contemporaneous artistic production across different fields, genres, and media in early modern Europe. When American industrialist Henry Clay Frick (1849-1919) built his New York home on the Upper East Side of Manhattan, he intended for it to one day become a public art museum for the "use and benefit of all persons whomsoever." After his death and that of his wife, Adelaide, in 1931, the house was transformed into a museum and was opened to the public in December 1935. The Frick's daughter Helen Clay Frick (1888-1984), along with a board of trustees, was instrumental in the continuance of her father's legacy and the care of his bequest. Over the years, the collection grew and the number of visitors increased, requiring renovation campaigns in the 1970s and 2020s to accommodate these changes, the latest giving access to the public for the first time to a suite of rooms on the second floor. Originally the Frick family's private quarters, these rooms are now galleries for works of art, providing space for more objects to be on view. The scope of the collection, which spans from about 1300 to 1900, was never intended to be encyclopedic and reflects the taste of the founder, who chose to acquire works for his home that were "pleasing to live with.". Codice articolo LU-9781913645670
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Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. Codice articolo 394356684
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
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