Da: CreativeCenters, Peoria, IL, U.S.A.
paperback. Condizione: New. Codice articolo 9781917341172
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. This book takes an ethnographic approach to understanding music in the rural creative economy of the Highlands and Islands and brings a fresh understanding of sustainability in regional policy and creative lives. Drawing upon ethnographic evidence from more than seventy interviews with musicians, venue operators, promoters, instrument makers, teachers, festival organisers, public officials and police, the book reveals the ingenuity, creativity and place-based innovation across the Highlands and Islands of Scotland. The book argues that one of the results of continuing globalization and digitalization of society is a return to local, place-based communities with greater digital visibility, and that creative livelihoods in rural areas are becoming increasingly sustainable because of this movement. The chapters deal with the lived experience of rural and island musical education and performance, and provide an explanation of the impact of continuing state-retreat from the arts and the cultural sector.Importantly, this book offers an original contribution to the literature on the creative economy and creative industries by rethinking the model of capital exchange in music that moves beyond older binary models. The author makes the case that in today's platformed world, music should not be understood as a commodity, but as a form of labour that includes a much wider range of activity beyond performance including audiences and listeners. This fundamental shift turns our attention to understanding capital exchange through people's desire to participate in the arts as the core commodity that supports sustainability in the creative economy. In a major new study of music, this book establishes a nuanced model of sustainability that re-imagines the relationship between music, place and capital in the rural creative economy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781917341172
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Da: California Books, Miami, FL, U.S.A.
Condizione: New. Codice articolo I-9781917341172
Quantità: Più di 20 disponibili
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Hardback. Condizione: New. Codice articolo LU-9781917341172
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Da: PBShop.store UK, Fairford, GLOS, Regno Unito
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo L2-9781917341172
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. 240 pages. 6.14x0.51x9.21 inches. In Stock. Codice articolo x-1917341172
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book takes an ethnographic approach to understanding music in the rural creative economy of the Highlands and Islands and brings a fresh understanding of sustainability in regional policy and creative lives. Drawing upon ethnographic evidence from more than seventy interviews with musicians, venue operators, promoters, instrument makers, teachers, festival organisers, public officials and police, the book reveals the ingenuity, creativity and place-based innovation across the Highlands and Islands of Scotland. The book argues that one of the results of continuing globalization and digitalization of society is a return to local, place-based communities with greater digital visibility, and that creative livelihoods in rural areas are becoming increasingly sustainable because of this movement. The chapters deal with the lived experience of rural and island musical education and performance, and provide an explanation of the impact of continuing state-retreat from the arts and the cultural sector.Importantly, this book offers an original contribution to the literature on the creative economy and creative industries by rethinking the model of capital exchange in music that moves beyond older binary models. The author makes the case that in today's platformed world, music should not be understood as a commodity, but as a form of labour that includes a much wider range of activity beyond performance including audiences and listeners. This fundamental shift turns our attention to understanding capital exchange through people's desire to participate in the arts as the core commodity that supports sustainability in the creative economy. 242 pp. Englisch. Codice articolo 9781917341172
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Da: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condizione: new. Hardcover. This book takes an ethnographic approach to understanding music in the rural creative economy of the Highlands and Islands and brings a fresh understanding of sustainability in regional policy and creative lives. Drawing upon ethnographic evidence from more than seventy interviews with musicians, venue operators, promoters, instrument makers, teachers, festival organisers, public officials and police, the book reveals the ingenuity, creativity and place-based innovation across the Highlands and Islands of Scotland. The book argues that one of the results of continuing globalization and digitalization of society is a return to local, place-based communities with greater digital visibility, and that creative livelihoods in rural areas are becoming increasingly sustainable because of this movement. The chapters deal with the lived experience of rural and island musical education and performance, and provide an explanation of the impact of continuing state-retreat from the arts and the cultural sector.Importantly, this book offers an original contribution to the literature on the creative economy and creative industries by rethinking the model of capital exchange in music that moves beyond older binary models. The author makes the case that in today's platformed world, music should not be understood as a commodity, but as a form of labour that includes a much wider range of activity beyond performance including audiences and listeners. This fundamental shift turns our attention to understanding capital exchange through people's desire to participate in the arts as the core commodity that supports sustainability in the creative economy. In a major new study of music, this book establishes a nuanced model of sustainability that re-imagines the relationship between music, place and capital in the rural creative economy. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9781917341172
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Da: CitiRetail, Stevenage, Regno Unito
Hardcover. Condizione: new. Hardcover. This book takes an ethnographic approach to understanding music in the rural creative economy of the Highlands and Islands and brings a fresh understanding of sustainability in regional policy and creative lives. Drawing upon ethnographic evidence from more than seventy interviews with musicians, venue operators, promoters, instrument makers, teachers, festival organisers, public officials and police, the book reveals the ingenuity, creativity and place-based innovation across the Highlands and Islands of Scotland. The book argues that one of the results of continuing globalization and digitalization of society is a return to local, place-based communities with greater digital visibility, and that creative livelihoods in rural areas are becoming increasingly sustainable because of this movement. The chapters deal with the lived experience of rural and island musical education and performance, and provide an explanation of the impact of continuing state-retreat from the arts and the cultural sector.Importantly, this book offers an original contribution to the literature on the creative economy and creative industries by rethinking the model of capital exchange in music that moves beyond older binary models. The author makes the case that in today's platformed world, music should not be understood as a commodity, but as a form of labour that includes a much wider range of activity beyond performance including audiences and listeners. This fundamental shift turns our attention to understanding capital exchange through people's desire to participate in the arts as the core commodity that supports sustainability in the creative economy. In a major new study of music, this book establishes a nuanced model of sustainability that re-imagines the relationship between music, place and capital in the rural creative economy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781917341172
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Da: AHA-BUCH GmbH, Einbeck, Germania
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book takes an ethnographic approach to understanding music in the rural creative economy of the Highlands and Islands and brings a fresh understanding of sustainability in regional policy and creative lives. Drawing upon ethnographic evidence from more than seventy interviews with musicians, venue operators, promoters, instrument makers, teachers, festival organisers, public officials and police, the book reveals the ingenuity, creativity and place-based innovation across the Highlands and Islands of Scotland. The book argues that one of the results of continuing globalization and digitalization of society is a return to local, place-based communities with greater digital visibility, and that creative livelihoods in rural areas are becoming increasingly sustainable because of this movement. The chapters deal with the lived experience of rural and island musical education and performance, and provide an explanation of the impact of continuing state-retreat from the arts and the cultural sector.Importantly, this book offers an original contribution to the literature on the creative economy and creative industries by rethinking the model of capital exchange in music that moves beyond older binary models. The author makes the case that in today's platformed world, music should not be understood as a commodity, but as a form of labour that includes a much wider range of activity beyond performance including audiences and listeners. This fundamental shift turns our attention to understanding capital exchange through people's desire to participate in the arts as the core commodity that supports sustainability in the creative economy. Codice articolo 9781917341172
Quantità: 2 disponibili