Color & Light is an essential practical guide to how color works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see color, how to construct effective lighting palettes, and how to make use of both color filters and color-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories.We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Today’s LED-based additive color-mixing fixtures require new methodologies and new ways of thinking, and Color & Light directly addresses this technology’s potentials and challenges.But underpinning lighting’s many recent technological changes is the fundamental language of color that artists have worked with since the birth of humanity’s artistic urges.More saturated vs. less, warmer vs. cooler, more green vs. more magenta, recessive vs. dominant—the bedrock language of color manipulation endures, whether you are putting paintbrush to canvas or calling up color attributes on a high-tech lighting console. Balancing the basics and the latest innovations, Color & Light is a book for everyone involved artistically with light and color. It will enhance your understanding of how a lighting setup works from a color perspective, while equipping you with the language to communicate about color with your collaborators.
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Clifton Taylor has created designs for theater, dance, and opera companies on Broadway, regionally across the United States, and in 17 countries around the world. His designs have been seen in productions by the Alvin Ailey, Martha Graham, and Paul Taylor dance companies, as well as in numerous works for the American Ballet Theatre and the ballet companies of Boston, Washington, D.C., San Francisco, and Rio de Janeiro. His international dance credits also include the Mikhailovsky Theatre (St. Petersburg, Russia), the Rambert Dance Company (London), the Ningbo Song and Dance Company (China), the Ballet de Lorraine (Nancy, France), and many others. Designs by Clifton Taylor for opera and classical music performances have been commissioned by the New York Philharmonic, the National Symphony Orchestra, Italy’s Haydn Orchestra, France’s Opéra de Lorraine, the Tanglewood Music Center, the Boston Pops Orchestra, the Yokohama Noh Theater, and both the Japan Society and the Japan Foundation. He is a sought-after teacher and lecturer on theatrical lighting, especially in the areas of color and light, regularly speaking at NYU and at LDI (Live Design International). He presented lectures on color at New York’s Broadway Lighting Master Class for 17 years and is a former member of the Juilliard School’s dance faculty.
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Paperback. Condizione: new. Paperback. This is an essential practical guide to how colour works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see colour, how to construct effective lighting palettes, and how to make use of both colour filters and colour-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories. We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Todays LED-based additive colour-mixing fixtures require new methodologies and new ways of thinking, and the book directly addresses this technologys potentials and challenges. But underpinning lightings many recent technological changes is the fundamental language of colour that artists have worked with since the birth of humanitys artistic urges. More saturated vs. less, warmer vs. cooler, more green vs. more magenta, recessive vs. dominant -- the bedrock language of colour manipulation endures, whether you are putting paintbrush to canvas or calling up colour attributes on a high-tech lighting console. Balancing the basics and the latest innovations, this is a book for everyone involved artistically with light and colour. It will enhance your understanding of how a lighting setup works from a colour perspective, while equipping you with the language to communicate about colour with your collaborators. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781935247197
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Paperback. Condizione: New. This is an essential practical guide to how colour works in light. Written from the perspective of a theatrical lighting designer, it discusses how to see colour, how to construct effective lighting palettes, and how to make use of both colour filters and colour-mixing LED fixtures to create compositions that work well with scenery and costumes to tell compelling stories. We are presently at the leading edge of a revolution in theatrical lighting, redefining how it can be used to create and communicate. Todays LED-based additive colour-mixing fixtures require new methodologies and new ways of thinking, and the book directly addresses this technologys potentials and challenges. But underpinning lightings many recent technological changes is the fundamental language of colour that artists have worked with since the birth of humanitys artistic urges. More saturated vs. less, warmer vs. cooler, more green vs. more magenta, recessive vs. dominant -- the bedrock language of colour manipulation endures, whether you are putting paintbrush to canvas or calling up colour attributes on a high-tech lighting console. Balancing the basics and the latest innovations, this is a book for everyone involved artistically with light and colour. It will enhance your understanding of how a lighting setup works from a colour perspective, while equipping you with the language to communicate about colour with your collaborators. Codice articolo LU-9781935247197
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