Articoli correlati a Anachronic Renaissance
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A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.
In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Alexander Nagel is Professor of Renaissance Art History at the Institute of Fine Arts in New York, and the author of Michelangelo and the Reform of Art. Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Anachronic Renaissance
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
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Hardback. Condizione: Fair. A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists--a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or image made without hands), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Codice articolo 00110847753
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Anachronic Renaissance
Da: World of Books Inc, Montgomery, IL, U.S.A.
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Hardback. Condizione: Fair. A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts.In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists--a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or image made without hands), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Codice articolo CIN193540802XA
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Anachronic Renaissance
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Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G193540802XI4N10
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Anachronic Renaissance
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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G193540802XI4N00
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Anachronic Renaissance
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text; a very clean, gently used copy. Book. Codice articolo 154716
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Anachronic Renaissance
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Zone Books, New York, 2010
ISBN 10: 193540802X
ISBN 13: 9781935408024
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False (illustratore). In-4°, pp. 455, numerose illustrazioni n.t., tela editoiale con sovracc. illustrata. Ottimo esemplare. Anachronic Renaissance propone una rilettura innovativa del Rinascimento attraverso la categoria dell'anacronismo. L'autore mette in discussione l'idea di un'epoca storicamente coerente e lineare, mostrando come i testi rinascimentali dialoghino costantemente con tempi diversi, passati e futuri. Il saggio analizza opere letterarie e culturali del periodo rinascimentale evidenziando fratture, sopravvivenze e discontinuità temporali, e offrendo così una prospettiva critica che supera le tradizionali periodizzazioni storiche. Il volume si inserisce nel dibattito contemporaneo sulla temporalità dei testi e sulla costruzione del canone. Codice articolo 23409
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Anachronic Renaissance
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Zone Books, New York, 2010
ISBN 10: 193540802X
ISBN 13: 9781935408024
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Da: Dale A. Sorenson, Silver Spring, MD, U.S.A.
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. New York: Zone Books, 2010. 11.25 x 7.5". 456pp, Index, Notes. Black cloth, spine letters gilt. Fine condition in fine dj. Illustrated. Reconsideration of time in the Renaissance as these two art historians examine buildings, paintings, drawings, prints, sculptures and medals. ISBN 9781935408024; 11.25 x 7.5 inches; 456 pages. Codice articolo 17230
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Anachronic Renaissance
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Zone Books - MIT, United States, 2010
ISBN 10: 193540802X
ISBN 13: 9781935408024
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Da: Pendleburys - the bookshop in the hills, Llanwrda, Regno Unito
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. hardback, large octavo, one short gathering with a light crease to the corner tip otherwise a very good tightly bound copy with clean and unmarked contents and in a well preserved dust jacket. 454pp. Codice articolo 298376
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Anachronic Renaissance
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Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR009996671
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Anachronic Renaissance
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Zone Books, New York, 2010
ISBN 10: 193540802X
ISBN 13: 9781935408024
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Da: Apple Grove Books, Herts, Regno Unito
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Book measures 28x19cm, 455pp. Illustrated throughout. Bound in original publishers cloth, with gilt title lettering on spine. Binding fine condition. Dust jacket with very little wear. Jacket in very good clean condition. Internally, pages clean, fine. A very good clean copy. Codice articolo 005741
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