Articoli correlati a Finding Rhythm: An International Dance Journey

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Salmon, Alinor

 
9781954641839: Finding Rhythm: An International Dance Journey

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A happiness researcher set out on an international dance journey, finding out how each dance tells a story of its country and learning how beautiful life can be when you take the lead.

If you could do anything you wanted, what would it be? Alienor Salmon was working as a happiness researcher in Bangkok when a friend asked her the question that turned life as she knew it on its heels. The Franco-British Alienor wanted to learn to dance, and so she set off on a journey to New York City and then Latin America. She danced her way through Mexico, Cuba, the Dominican Republic, Puerto Rico, Colombia, Brazil, and Argentina and learned eighteen dances in total—everything from salsa to cha-cha, reggaeton to samba, tango, bachata, merengue, and more.

As Alienor engaged with esoteric customs and cultures, she discovered that every step, pivot, and shake thrums with an undeniable spirit of place. In a world where we are over-connected but increasingly disconnected from one another, dance offers an authentically human experience. One that promotes tolerance, kindness, and vulnerability by holding the hands of a stranger and gazing into their eyes for the length of a song.

This one-of-a-kind dance-travelogue is a resplendent meditation on happiness, connection, and wanderlust, as well as a superb up-close look at the history, steps, and development of the world's most remarkable dances. With her courageous and candid approach, Alienor will also inspire you to take the reins of your own life, to find what makes you happy and summon the courage to take the first step.

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Aliénor Salmon is a French-British writer, researcher, and communications consultant. After graduating from King's College London with a master's degree in war studies, Aliénor worked as a field researcher studying issues related to education in Mongolia and along the Thailand/Myanmar border, before eventually settling in Bangkok where she worked for UNESCO. Through her blog Bailando Journey, she has become a dance influencer and ambassador, promoting the discovery of cultures through dance and dance's multiple benefits for well-being and personal development. In December 2018, she received official accreditation for journalistic coverage of the Cali Fair, one of the most important traditional music and dance celebrations in Colombia and Latin America. Aliénor consults for UNESCO and other international organizations as a happiness researcher and an expert in social and emotional development. She hosted her first dance and personal development retreat in Havana, Cuba, in November 2019 and plans to host more retreats in other Latin dance capitals around the world, hoping to expand to New York City, Miami, LA, and Puerto Rico. In the meantime, she is focused on creating a virtual dance studio, nightclub, and platform to support dance professionals who are struggling in the wake of the Covid-19 pandemic and to spread the joy of dance online. Aliénor resides in Lisbon, Portugal.

Alienor Salmon is a Franco–British writer, researcher, and consultant who has traveled the world studying happiness, education, and emotional development for UNESCO and other international organizations. Through her website, Bailando Journey, she has become a dance influencer and ambassador, promoting the discovery of cultures through dance and dance’s multiple benefits for well-being and personal development. In 2018 she received official accreditation for journalistic coverage of the Cali Fair, one of the most important traditional music and dance celebrations in Colombia and Latin America. In 2022 she gave a TEDx talk on her tour of Latin America, learning its dances and about herself in the process, the basis for her book Finding Rhythm. She has since founded the School of Happiness, where she teaches masterclasses on the science of happiness, and she teaches Mindful Latin Flow, a mindful movement class based on Latin rhythms. Alienor currently lives in Lisbon, Portugal.

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Though I look forward to learning many different dances from Mexico’s regions of Oaxaca in the south and Jalisco in the west, I have one paramount goal—to learn the national dance of Mexico: the jarabe tapatío, also known as the Mexican hat dance. Developed in colonial times from the interplay of popular Spanish music and indigenous dances, the jarabe tapatío is a partner dance that mimics the courtship of doves. In some versions, the man, in hot pursuit of his mate, throws his sombrero on the ground as if tossing down a gauntlet. His partner, teetering on the delicate balance of coy and suggestive, hops, slides, and kicks around the brim of the hat—her footwork showing her deliberating the merit and allure of his advance and the tenor of her own desire. As she bends to retrieve his hat from the floor, he kicks his leg over her head. Warmed, finally, to his giddy advances, she shields their faces with the hat. The audience is left to imagine what the couple is doing that is hidden from their view.

To truly learn this intricate dance, I need to have private classes. I had contacted several dance schools, including the most prestigious one in the country: the Ballet Folklórico de México de Amalia Hernández, whose dance troupes perform not only in Mexico City’s Palacio de Bellas Artes (Palace of Fine Arts), its cultural center, but all over the world. Their prestige didn’t warrant any kind of response, but I wanted to try them anyway, counting on luck more than anything else. If you never try, you’ll never know.

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