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Sinossi
A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."
-The Poetry Foundation
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Smooth Side, Rough Side (Paperback or Softback)
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Paperback. Condizione: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9781968148614
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Smooth Side, Rough Side
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Cornerstone Press Sep 2026, 2026
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Taschenbuch. Condizione: Neu. Neuware - A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His 'good, nasty poems evoke the America of Norman Rockwell,' says John Ashbery, 'as Hieronymus Bosch might have painted it,' though Vogelsang at second or third glance is never as ironic or surreal as on first read. His 'absolutely familiar voice,' as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says 'by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does.'-The Poetry Foundation. Codice articolo 9781968148614
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Paperback. Condizione: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9781968148614
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Paperback. Condizione: new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781968148614
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