In 2017, Mark Ryden, the “Godfather of Pop Surrealism,” tackled a new medium: ballet. In partnership with American Ballet Theatre (ABT), he created “Whipped Cream,” a new masterpiece that has since become a part of the theatre’s classic repertoire.
Featuring interviews with and commentaries from principal dancers―including Misty Copleland, David Hallberg, Stella Abrera, Gillian Murphy, and Daniil Simkin―and members of the creative team, The Art of Whipped Cream showcases Ryden’s amazing concept art as well as paintings made specifically for this publication. Follow Mark Ryden’s process from initial drawings to set design and be a part of this groundbreaking new ballet. From costumes to backdrops and accessories, you’ll be able to observe and experience the show through exclusive images as if you were sitting in the first row!
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Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism", dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation. Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden's world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective “Wondertoonel” at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition "The Artist's Museum" at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.
Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism", dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation. Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden's world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a retrospective “Wondertoonel” at the Frye Museum of Art in Seattle and Pasadena Museum of California Art, and in the exhibition "The Artist's Museum" at the Museum of Contemporary Art in Los Angeles. He currently lives and works in Los Angeles.
Mark Ryden was recently commissioned to create the snd costume design for a new production of Whipped Cream, put on by the American Ballet Theatre with choreography by Alexei Ratmansky. Whipped Cream is based on Schlagobers, a two-act ballet with libretto and score by Richard Strauss that was first performed at the Vienna State Opera in 1924. Premiered the MET new york, this ballet is already considered as a new classic masterpiece which will continue to be performed year after year. In partnership with Mark Ryden and the crew of ABT, this book tells the story of this artistic journey.
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Da: Albion Books, Buffalo, NY, U.S.A.
Hardcover. Condizione: Very Good. 1st Edition. Heavy oversize book, may require extra postage. Matte pictorial boards with trace edgewear and lightly bumped spine ends and corners. Binding sound, interior clean. Color illustrations and photos. No prev owner names, stickers or stamps. Not ex-library. 256 pp. Codice articolo 004579
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Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good. Minor scuffing on cover. Pages are clean. Codice articolo mon0003830752
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Da: DecadenceBooks, Jovarai, Pakruojo, Lituania
Hardcover. Condizione: Very Good. Actual photos - take a look. Corners are little bumped. No other things to mention. Very Good condition, usual shelf wear. Codice articolo ABE-1793031812918
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Da: Rebooksellers, Tequesta, FL, U.S.A.
hardcover. Condizione: Very Good. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's charity. Reuse-Recycle-Rebook! Codice articolo 2601H-64999A-1207A
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