The essays in this volume challenge the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, yet they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability.
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Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.
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Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.
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Da: ISD LLC, Bristol, CT, U.S.A.
hardcover. Condizione: New. 1st. Codice articolo 84421
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Condizione: New. Codice articolo 980310-n
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Paperback. Condizione: New. Codice articolo LU-9782503508498
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Condizione: As New. Unread book in perfect condition. Codice articolo 980310
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Da: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, U.S.A.
Hardcover. 230pp. As new, clean, tight & bright condition / published without dust jacket. Codice articolo 195534
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Da: Revaluation Books, Exeter, Regno Unito
Hardcover. Condizione: Brand New. 01 edition. 230 pages. 9.25x6.50x0.75 inches. In Stock. Codice articolo __2503508499
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The 28th Annual Conference of the Center for Medieval and Renaissance Studies, held on 21-22 October 1994 at Binghamton University, featured 33 panel sessions and approximately 150 presentations. The ten essays in this volume consist of the five plenary speakers - leaders in their field - and five panel essays, each of which was reviewed for this volume. The volume comprises a body of work organised around a governing theme - modes of historicisation. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicised criticism. By 'historicised' as contrasted with 'historical' criticism, it is meant that these essays problematicise, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history'. The volume comprises a body of work organised around a governing theme - modes of historicization. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicized criticism. By 'historicized' as contrasted with 'historical' criticism, it is meant that these essays problematicize, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history' Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9782503508498
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