This book offers a long overdue, extensive study of one of the most beloved television shows: Friends. Why has this sitcom become the seminal success that it is? And how does it continue to engage viewers around the world a quarter century after its first broadcast? Featuring original interviews with key creative personnel (including co-creator Marta Kauffman and executive producer Kevin S. Bright), the book provides answers by identifying a strategy of intimacy that informs Friends’ use of humour, performance, style and set design. The authors provide fascinating analyses of some of the most well-remembered scenes—the one where Ross can’t get his leather pants back on, and Ross and Rachel’s break-up, to name just a couple—and reflect on how and why A-list guest performances sometimes fell short of the standards set by the ensemble cast. Also considered are the iconic look of Monica’s apartment as well as the programme’s much discussed politics of representation and the critical backlash it has received in recent years. An exploration of Joey, the infamous spin-off, and several attempts to adapt Friends’ successful formula across the globe, round out the discussion, with insights into mistranslated jokes and much more. For students, scholars, creative industry practitioners and fans alike, this is a compelling read that lets us glimpse behind the scenes of what has become a cultural phenomenon and semi-permanent fixture in many of our homes.
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Dr Simone Knox is Associate Professor of Film and Television at the University of Reading, UK. She sits on the board of editors for Critical Studies in Television, and has published on topics including acting, audio-visual translation, format adaptation, representation and television aesthetics.
Dr Kai Hanno Schwind is Associate Professor at Kristiania University College, Oslo, Norway, and has published on international television formats, format adaptation, sitcom, television humour and satire. He has a background in creative writing and directing for radio, stage and screen.
This book offers a long overdue, extensive study of one of the most beloved television shows: Friends. Why has this sitcom become the seminal success that it is? And how does it continue to engage viewers around the world a quarter century after its first broadcast? Featuring original interviews with key creative personnel (including co-creator Marta Kauffman and executive producer Kevin S. Bright), the book provides answers by identifying a strategy of intimacy that informs Friends’ use of humour, performance, style and set design. The authors provide fascinating analyses of some of the most well-remembered scenes—the one where Ross can’t get his leather pants back on, and Ross and Rachel’s break-up, to name just a couple—and reflect on how and why A-list guest performances often fell short of the standards set by the ensemble cast. Also considered are the iconic look of Monica’s apartment as well as the programme’s much discussed politics of representation andthe critical backlash it has received in recent years. An exploration of Joey, the infamous spin-off, and several attempts to adapt Friends’ successful formula across the globe, round out the discussion, with insights into mistranslated jokes and much more. For students, scholars, creative industry practitioners and fans alike, this is a compelling read that lets us glimpse behind the scenes of what has become a cultural phenomenon and semi-permanent fixture in many of our homes.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Lakeside Books, Benton Harbor, MI, U.S.A.
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Paperback or Softback. Condizione: New. Friends: A Reading of the Sitcom. Book. Codice articolo BBS-9783030254285
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. This book offers a long overdue, extensive study of one of the most beloved television shows: Friends. Why has this sitcom become the seminal success that it is? And how does it continue to engage viewers around the world a quarter century after its first broadcast? Featuring original interviews with key creative personnel (including co-creator Marta Kauffman and executive producer Kevin S. Bright), the book provides answers by identifying a strategy of intimacy that informs Friends use of humour, performance, style and set design. The authors provide fascinating analyses of some of the most well-remembered scenesthe one where Ross cant get his leather pants back on, and Ross and Rachels break-up, to name just a coupleand reflect on how and why A-list guest performances sometimes fell short of the standards set by the ensemble cast. Also considered are the iconic look of Monicas apartment as well as the programmes much discussed politics of representation and the critical backlash it has received in recent years. An exploration of Joey, the infamous spin-off, and several attempts to adapt Friends successful formula across the globe, round out the discussion, with insights into mistranslated jokes and much more. For students, scholars, creative industry practitioners and fans alike, this is a compelling read that lets us glimpse behind the scenes of what has become a cultural phenomenon and semi-permanent fixture in many of our homes. The authors provide fascinating analyses of some of the most well-remembered scenesthe one where Ross cant get his leather pants back on, and Ross and Rachels break-up, to name just a coupleand reflect on how and why A-list guest performances sometimes fell short of the standards set by the ensemble cast. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9783030254285
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Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo GB-9783030254285
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. 2019 ed. Codice articolo LU-9783030254285
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. 2019 ed. Codice articolo LU-9783030254285
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