Articoli correlati a Defining Pre-Raphaelite Poetics

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9783030513405: Defining Pre-Raphaelite Poetics

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Defining Pre-Raphaelite Poetics offers a range of Pre-Raphaelite literary scholarship, provoking innovative discussions into the poetic form, gender dynamics, political engagement, and networked communities of Pre-Raphaelitism. The authors in this collection position Pre-Raphaelite poetics broadly in the sense of poiesis, or acts of making, aiming to identify and explore the Pre-Raphaelites’ diverse forms of making: social, aesthetic, gendered, and sacred. Each chapter examines how Pre-Raphaelitism takes up and explores modes of making and re-making identity, relationality, moral transformations, and even, time and space. Essays explore themes of formalist or prosodic approaches, expanded networks of literary and artistic influence within Pre-Raphaelitism, and critical legacies and responses to Pre-Raphaelite poetry and arts, codifying the methods, forms, and commonalties that constitute literary Pre-Raphaelitism.

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Informazioni sull'autore

<p></p><p><b>Heather Bozant Witcher </b>is Assistant Professor at Auburn University at Montgomery, USA. Her research focuses on nineteenth-century poetics, collaboration, and sociability, as well as archival theory and digital humanities.</p><p><b>Amy Kahrmann Huseby </b>is Assistant Teaching Professor at Florida International University, USA, where she teaches courses in nineteenth-century British literature. Her research focuses on nineteenth-century poetics, gender and sexuality, race and empire, and the history of science.</p><br><p></p>

Dalla quarta di copertina

<p><i>Defining Pre-Raphaelite Poetics</i> offers a range of Pre-Raphaelite literary scholarship, provoking innovative discussions into the poetic form, gender dynamics, political engagement, and networked communities of Pre-Raphaelitism. The authors in this collection position Pre-Raphaelite poetics broadly in the sense of <i>poiesis</i>, or acts of making, aiming to identify and explore the Pre-Raphaelites’ diverse forms of making: social, aesthetic, gendered, and sacred. Each chapter examines how Pre-Raphaelitism takes up and explores modes of making and re-making identity, relationality, moral transformations, and even, time and space. Essays explore themes of formalist or prosodic approaches, expanded networks of literary and artistic influence within Pre-Raphaelitism, and critical legacies and responses to Pre-Raphaelite poetry and arts, codifying the methods, forms, and commonalties that constitute literary Pre-Raphaelitism.</p>

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