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Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century: Volume 2 - Rilegato
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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate? – which actions does the instrument make possible? - when do the objects of examination themselves become instruments? – what skills are required to use an instrument, which skills does it produce?
With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments.
Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Helmar Schramm, Freie Universität Berlin, Germany; Ludger Schwarte, University of Basel, Switzerland; Jan Lazardzig, Freie Universität Berlin, Germany.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Instruments in Art and Science
Da: SKULIMA Wiss. Versandbuchhandlung, Westhofen, Germania
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Condizione: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. On the Architectonics of Cultural Boundaries in the 17th Century. Edited by Helmar Schramm, Ludger Schwarte, and Jan Lazardig. This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. XXVII,575 Seiten mit 80 Abb., gebunden (Theatrum Scientiarum. English Edition; Vol. 2/Walter de Gruyter Verlag 2008). Statt EUR 210,00. Gewicht: 980 g - Gebunden/Gebundene Ausgabe. Codice articolo 10112
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Instruments in Art and Science
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Condizione: gut. 2008. Instruments in Art and Science In deutscher Sprache. pages. Codice articolo BN563509
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INSTRUMENTS IN ART AND SCIENCE. ON THE ARCHITECTONICS OF CULTURAL BOUNDARIES IN THE 17TH CENTURY
Editore:
GRUYTER UND CO., WALTER, 2008
ISBN 10: 3110202409
ISBN 13: 9783110202403
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Encuadernación de tapa blanda. Condizione: Nuevo. SCHRAMM, H. / L. SCHWARTE / J. LAZARDZIG, EDS.: INSTRUMENTS IN ART AND SCIENCE. ON THE ARCHITECTONICS OF CULTURAL BOUNDARIES IN THE 17TH CENTURY. BERLIN, 2008, xxvii 575 p. figuras, 980 gr. Encuadernacion original. Nuevo. (GA-3-4) 980 gr. Libro. Codice articolo 451396
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Theatrum Scientiarum - English Edition, Volume 2, Instruments in Art and Science
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Hardcover. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Dieser Band versammelt originaere Beitraege am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von F. Codice articolo 4454891
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Instruments in Art and Science
Print on DemandDa: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
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Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate - which actions does the instrument make possible - when do the objects of examination themselves become instruments - what skills are required to use an instrument, which skills does it produce With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.; Dieser Band versammelt originäre Beiträge am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von Falluntersuchungen zum 17. Jahrhundert trägt er zum Verständnis der Rolle bei, die Instrumente im Schnittfeld von Wissenschaft und Kunst spielen. Die Beiträge verfolgen dabei die Hypothese, dass die Entwicklung und Gestaltung von Instrumenten wesentlich zur Eröffnung neuer Felder des Wissens, zur Entstehung neuer kultureller Praktiken, aber auch zur Abgrenzung bestimmter Genres, Methoden und Disziplinen beiträgt. Diese Perspektive führt die Beiträge dieses Bandes dazu, auf neue Weise das, was ein Instrument überhaupt ausmacht, zu durchdenken und eine Reihe von Grundfragen zur Bestimmung des Instrumentes zu erarbeiten: Welche Handlungen verkörpert das Instrument Welche Handlungen werden durch das Instrument ermöglicht Wann werden Untersuchungsobjekte ihrerseits Instrumente Welche Fähigkeiten setzt der Instrumentengebrauch voraus, welche produziert er Durch die Kombination neuer theoretischer Modelle und historischer Fallstudien, durch den detailgenauen Nachweis des gegenseitigen Einflusses von Kunst und Wissenschaft am Schnittpunkt des Instrumentes betritt dieser Band Neuland. Er ist von großem Wert für alle, die sich für die Vorgeschichte unsere instrumentengeleiteten Wahrnehmung interessieren. Zu den Autoren des Bandes zählen neben den Herausgebern Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann und Otto Sibum. 604 pp. Englisch. Codice articolo 9783110202403
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Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century (Theatrum Scientiarum English Edition, 2)
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Instruments in Art and Science
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Instruments in Art and Science (eng)
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Instruments in Art and Science
Editore:
De Gruyter, De Gruyter Jan 2008, 2008
ISBN 10: 3110202409
ISBN 13: 9783110202403
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Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate - which actions does the instrument make possible - when do the objects of examination themselves become instruments - what skills are required to use an instrument, which skills does it produce With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments.Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 604 pp. Englisch. Codice articolo 9783110202403
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Instruments in Art and Science : On the Architectonics of Cultural Boundaries in the 17th Century
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Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series of basic questions to determine what an instrument is - which actions does the instrument incorporate - which actions does the instrument make possible - when do the objects of examination themselves become instruments - what skills are required to use an instrument, which skills does it produce With its combination of new theoretical models and historical case studies, its detailed demonstration of the mutual influence of art and science with the instrument as the point of intersection, this volume enters new territory. It is of great value for all those interested in the history of our perception of instruments. Besides the editors, the authors of the papers are: Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann, and Otto Sibum.; Dieser Band versammelt originäre Beiträge am Schnittpunkt von Philosophie, Wissenschaftsgeschichte, Kultur- und Theaterwissenschaft. Auf der Grundlage von Falluntersuchungen zum 17. Jahrhundert trägt er zum Verständnis der Rolle bei, die Instrumente im Schnittfeld von Wissenschaft und Kunst spielen. Die Beiträge verfolgen dabei die Hypothese, dass die Entwicklung und Gestaltung von Instrumenten wesentlich zur Eröffnung neuer Felder des Wissens, zur Entstehung neuer kultureller Praktiken, aber auch zur Abgrenzung bestimmter Genres, Methoden und Disziplinen beiträgt. Diese Perspektive führt die Beiträge dieses Bandes dazu, auf neue Weise das, was ein Instrument überhaupt ausmacht, zu durchdenken und eine Reihe von Grundfragen zur Bestimmung des Instrumentes zu erarbeiten: Welche Handlungen verkörpert das Instrument Welche Handlungen werden durch das Instrument ermöglicht Wann werden Untersuchungsobjekte ihrerseits Instrumente Welche Fähigkeiten setzt der Instrumentengebrauch voraus, welche produziert er Durch die Kombination neuer theoretischer Modelle und historischer Fallstudien, durch den detailgenauen Nachweis des gegenseitigen Einflusses von Kunst und Wissenschaft am Schnittpunkt des Instrumentes betritt dieser Band Neuland. Er ist von großem Wert für alle, die sich für die Vorgeschichte unsere instrumentengeleiteten Wahrnehmung interessieren. Zu den Autoren des Bandes zählen neben den Herausgebern Jörg Jochen Berns, Olaf Breidbach, Georges Didi-Huberman, Peter Galison, Sybille Krämer, Dieter Mersch, Hans-Jörg Rheinberger, Wilhelm Schmidt-Biggemann und Otto Sibum. Codice articolo 9783110202403
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