This essay collection addresses the paradox that something may at once be and not be Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Laniers Shakespearean rhizome, which co-opts Deleuze and Guattaris concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between Shakespeare and not Shakespeare through a number of critical lensesnetworks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertextsand include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Christy Desmet is Josiah Meigs Distinguished Teaching Professor at the University of Georgia.
Natalie Loper is Instructor and Assistant Director of First-Year Writing at The University of Alabama.
Jim Casey is Assistant Professor of Shakespeare, Literary Theory, and Cultural Studies at Arcadia University.
This essay collection addresses the paradox that something may at once be and not be Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Laniers Shakespearean rhizome, which co-opts Deleuze and Guattaris concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between Shakespeare and not Shakespeare through a number of critical lensesnetworks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertextsand include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This essay collection addresses the paradox that something may at once 'be' and 'not be' Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier's 'Shakespearean rhizome,' which co-opts Deleuze and Guattari's concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between 'Shakespeare' and 'not Shakespeare' through a number of critical lenses-networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts-and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films. 336 pp. Englisch. Codice articolo 9783319875217
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Christy Desmet is Josiah Meigs Distinguished Teaching Professor at the University of Georgia. Natalie Loper is Instructor and Assistant Director of First-Year Writing at The University of Alabama. Jim Casey is Assistant Professor of . Codice articolo 448760749
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Da: preigu, Osnabrück, Germania
Taschenbuch. Condizione: Neu. Shakespeare / Not Shakespeare | Christy Desmet (u. a.) | Taschenbuch | Reproducing Shakespeare | xxi | Englisch | 2018 | Springer | EAN 9783319875217 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. Codice articolo 115378833
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Combines recent scholarship in new media with the work of canonical theorists such as Derrida, Deleuze, and HarawaySpringer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 336 pp. Englisch. Codice articolo 9783319875217
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This essay collection addresses the paradox that something may at once 'be' and 'not be' Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier's 'Shakespearean rhizome,' which co-opts Deleuze and Guattari's concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between 'Shakespeare' and 'not Shakespeare' through a number of critical lenses-networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts-and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films. Codice articolo 9783319875217
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