Articoli correlati a Critical Distance in Documentary Media

Critical Distance in Documentary Media - Rilegato

 
9783319967660: Critical Distance in Documentary Media
Rilegato
ISBN 10: 3319967665 ISBN 13: 9783319967660
Casa editrice: Palgrave Macmillan, 2018

Sinossi

This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of “critical distance” in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital media studies.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

Informazioni sull'autore

Gerda Cammaer is Associate Professor in the School of Image Arts at Ryerson University, Canada, and is co-director of the Documentary Media Research Centre. She is a filmmaker, the co-author of Forbidden Love (2016), and the co-editor of Cinephemera: Archives, Ephemeral Cinema, and New Screen Histories in Canada (2014).

Blake Fitzpatrick is Professor and Chair in the School of Image Arts at Ryerson University, Canada, and is co-director of the Documentary Media Research Centre. His research examines war and conflict representation in documentary works, and his visual work has been exhibited in Canada and internationally.

Bruno Lessard is Associate Professor in the School of Image Arts at Ryerson University, Canada. He is a photographic artist and the author of The Art of Subtraction: Digital Adaptation and the Object Image (2017).

Dalla quarta di copertina

This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of “critical distance” in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital media studies.

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

Editore
Palgrave Macmillan
Data di pubblicazione
2018
Lingua
Inglese
ISBN 10 
3319967665
ISBN 13 
9783319967660
Rilegatura
Copertina rigida
Numero edizione
1
Numero di pagine
336
Redattore
Cammaer Gerda, Fitzpatrick Blake, Lessard Bruno
Contatto del produttore
Springer Nature Customer Service Center GmbH
ProductSafety@springernature.com

Europaplatz 3,69115 Heidelberg, Germany
Heidelberg
69115
Germania