Articoli correlati a A Language for German Opera: The Development of Forms...

A Language for German Opera: The Development of Forms and Formulas for Recitative and Aria in Seventeenth-century German Libretti - Rilegato

 
9783447046534: A Language for German Opera: The Development of Forms and Formulas for Recitative and Aria in Seventeenth-century German Libretti
  • EditoreOtto Harrassowitz
  • Data di pubblicazione2002
  • ISBN 10 3447046538
  • ISBN 13 9783447046534
  • RilegaturaCopertina rigida
  • LinguaInglese
  • Numero di pagine349
  • Contatto del produttorenon disponibile

Compra usato

Condizioni: molto buono
VII, 347 Seiten / p. Aus der Bibliothek...
Visualizza questo articolo

EUR 15,00 per la spedizione da Germania a Italia

Destinazione, tempi e costi

Risultati della ricerca per A Language for German Opera: The Development of Forms...

Immagini fornite dal venditore

Aikin, Judith P:
ISBN 10: 3447046538 ISBN 13: 9783447046534
Antico o usato Originalhardcover.

Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania

Valutazione del venditore 5 su 5 stelle 5 stelle, Maggiori informazioni sulle valutazioni dei venditori

Originalhardcover. Condizione: Gut. VII, 347 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - leicht berieben, ansonsten tadelloser Zustand / slightly rubbed otherwise perfect condition - Preface -- This study on the development of verse forms suitable for German-language opera has its roots in two interdisciplinary courses I taught in the Literature, Science and the Arts Program at the University of Iowa. The first, "Opera as Drama," I team-taught with Professor Richard Hervig of the School of Music in 1980. The second, "Poetry and Song," I taught twice with Professor D. Martin Jenni, also of the School of Music, in the several years following the first course. In these team-taught courses I first confronted the issues of the relationships of the two media in vocal music, and I am very grateful to both Dick Hervig and Martin Jenni for their stimulating responses to my questions and challenges. -- This study is also a natural outgrowth of my long involvement with the dramatic works of Caspar Stieler, all of which employ vocal music to some extent. In that context, I first completed a study of early German opera libretti in the mid-1980s and published it as "Caspar Stieler and the German Singspiel," Chapter 7 in my book on that author: Scaramutza in Germany: The Dramatic Works of Caspar Stieler (Boston: Hall, 1989). The focus was on Stieler's works, and the conclusion was that Caspar Stieler, practically alone, had made the necessary breakthroughs in versification for recitative and aria. ISBN 9783447046534 Sprache: Englisch Gewicht in Gramm: 743. Codice articolo 1185290

Contatta il venditore

Compra usato

EUR 48,00
Convertire valuta
Spese di spedizione: EUR 15,00
Da: Germania a: Italia
Destinazione, tempi e costi

Quantità: 1 disponibili

Aggiungi al carrello