The author presents the method of research and creation in dance and theater in Brazil, called Bailarino-Pesquisador-Intérprete (Dancer-Researcher-Performer, BPI), which was created by the author herself. Through field research of ritual and Brazilian popular manifestations the author formulates a proposal for body work. She analyzes dance as an activity in which several bodies are integrated to generate knowledge in the sensitive, the perceptible and human relationships from direct contact with the surrounding reality. BPI aims to build a flexible and individualized body, in which the subject has room to develop. It emphasizes the need for a more responsible contact with certain Brazilian cultural segments so that stereotypes of a dance based on an ethnocentric view are not reinforced.
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Graziela Rodrigues is Full Professor of the Department of Dance at the Art Institute of the State University of Campinas (UNICAMP), Brazil. She works as a dancer, choreographer, actress, director, and psychologist and received a PhD in Arts (UNICAMP).
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Originalhardcover. Condizione: Wie neu. 224 S., 157 Ill. Ein tadelloses Exemplar. - Table o f Contents -- 1 I n tr o d u c tio n 21 -- 2 S om e I m p o r ta n t Q u e s tio n s 29 -- 3 W h ic h B ra z ilia n B o d y is T alked A b o u t: The S ource, -- th e S chool, th e R e fe re n c e 33 -- 4 P h y sical S tr u c tu r e 51 -- 41 Symbolic anatomy 52 -- 42 The movement of the p arts55 -- 421 Lower parts - the roots of the mast 55 -- Feet 55 -- Knees 58 -- Pelvis 59 -- 422 Upper parts - the movement of the flag 61 -- Torso 64 -- Hands 65 -- H ead 66 -- 5 P assages o f S en sitiv ity - The In n e r M o v e m e n t 75 -- 6 F eatu re s o f th e F o r m 85 -- 61 Essential factors of the forms85 -- 611 The senses in the body85 -- 612 Pulse 87 -- 613 Acts of punctuating, impelling, and flowing 88 -- 62 Specific dynamics 89 -- 621 Ginga90 -- 622 Incorporation/Disincorporation 93 -- 7 Confluent Elements 101 -- 71 Playing Singing: Pronunciations of the body101 -- 72 The act of investing106 -- 73 Buildings of space-time110 -- 731 Landscape and scenarios 112 -- 732 Choreographic ramifications118 -- 8 Looking Through the Crack 145 -- 81 The worked body145 -- 82 The "devil" and the saint 148 -- 83 In the Gira of Pomba-Gira - The dance of Maria Padilha 153 -- 9 The Learning Process of the Dancer-Researcher-Performer 165 -- 91 The speech of dancers concerning the process169 -- 10 Conclusion 173 -- 11 Addendum 175 -- 12 Bibliographical Reference223 ISBN 9783631676707 Sprache: Englisch Gewicht in Gramm: 550. Codice articolo 1077197
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Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The author presents the method of research and creation in dance and theater in Brazil, called Bailarino-Pesquisador-Intérprete (Dancer-Researcher-Performer, BPI), which was created by the author herself. Through field research of ritual and Brazilian popular manifestations the author formulates a proposal for body work. She analyzes dance as an activity in which several bodies are integrated to generate knowledge in the sensitive, the perceptible and human relationships from direct contact with the surrounding reality. BPI aims to build a flexible and individualized body, in which the subject has room to develop. It emphasizes the need for a more responsible contact with certain Brazilian cultural segments so that stereotypes of a dance based on an ethnocentric view are not reinforced. 224 pp. Englisch. Codice articolo 9783631676707
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