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Essay from the year 2016 in the subject Art - Photography and Film, grade: 1:1, , language: English, abstract: Photography and film are closely intertwined; yet a significant void remains between the two mediums. This essay explores the relationship between still and moving images, and draws upon a number of pieces of evidence in order to illuminate the dialogue between the two. The essay argues that the relationship between still and moving images has changed considerably over the last 200 years, and that the narrative continues to evolve. The literature about the relationship between still and moving images does not give a direct answer to the question of the relationship between still and moving images. As words, "still" and "moving" seem to be different concepts that are a dichotomy, which means they are opposite. One of the main questions to ask is why these two concepts are polarised. This essay tackles one of the most difficult questions in contemporary art. Since it began, people working in photography have tried to understand how to capture movement. The essay uses post-structuralist theory to try to explain how maybe people are actually right when they feel that there is something wrong about stillness and movement having to be different things. The theory can help to show that often the things that we take for granted aren't right at all, and that actually we invent a lot of the things that we think are basic truths.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Essay from the year 2016 in the subject Art - Photography and Film, grade: 1:1, , language: English, abstract: Photography and film are closely intertwined; yet a significant void remains between the two mediums. This essay explores the relationship between still and moving images, and draws upon a number of pieces of evidence in order to illuminate the dialogue between the two. The essay argues that the relationship between still and moving images has changed considerably over the last 200 years, and that the narrative continues to evolve.The literature about the relationship between still and moving images does not give a direct answer to the question of the relationship between still and moving images. As words, 'still' and 'moving' seem to be different concepts that are a dichotomy, which means they are opposite. One of the main questions to ask is why these two concepts are polarised.This essay tackles one of the most difficult questions in contemporary art. Since it began, people working in photography have tried to understand how to capture movement. The essay uses post-structuralist theory to try to explain how maybe people are actually right when they feel that there is something wrong about stillness and movement having to be different things. The theory can help to show that often the things that we take for granted aren't right at all, and that actually we invent a lot of the things that we think are basic truths. 12 pp. Englisch. Codice articolo 9783668542181
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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2016 in the subject Art - Photography and Film, grade: 1:1, , language: English, abstract: Photography and film are closely intertwined; yet a significant void remains between the two mediums. This essay explores the relationship between still and moving images, and draws upon a number of pieces of evidence in order to illuminate the dialogue between the two. The essay argues that the relationship between still and moving images has changed considerably over the last 200 years, and that the narrative continues to evolve.The literature about the relationship between still and moving images does not give a direct answer to the question of the relationship between still and moving images. As words, 'still' and 'moving' seem to be different concepts that are a dichotomy, which means they are opposite. One of the main questions to ask is why these two concepts are polarised.This essay tackles one of the most difficult questions in contemporary art. Since it began, people working in photography have tried to understand how to capture movement. The essay uses post-structuralist theory to try to explain how maybe people are actually right when they feel that there is something wrong about stillness and movement having to be different things. The theory can help to show that often the things that we take for granted aren't right at all, and that actually we invent a lot of the things that we think are basic truths. Codice articolo 9783668542181
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GRIN Verlag, GRIN Verlag Okt 2017, 2017
ISBN 10: 366854218X
ISBN 13: 9783668542181
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Taschenbuch. Condizione: Neu. Neuware -Essay from the year 2016 in the subject Art - Photography and Film, grade: 1:1, , language: English, abstract: Photography and film are closely intertwined; yet a significant void remains between the two mediums. This essay explores the relationship between still and moving images, and draws upon a number of pieces of evidence in order to illuminate the dialogue between the two. The essay argues that the relationship between still and moving images has changed considerably over the last 200 years, and that the narrative continues to evolve. The literature about the relationship between still and moving images does not give a direct answer to the question of the relationship between still and moving images. As words, 'still' and 'moving' seem to be different concepts that are a dichotomy, which means they are opposite. One of the main questions to ask is why these two concepts are polarised. This essay tackles one of the most difficult questions in contemporary art. Since it began, people working in photography have tried to understand how to capture movement. The essay uses post-structuralist theory to try to explain how maybe people are actually right when they feel that there is something wrong about stillness and movement having to be different things. The theory can help to show that often the things that we take for granted aren't right at all, and that actually we invent a lot of the things that we think are basic truths.Books on Demand GmbH, Überseering 33, 22297 Hamburg 12 pp. Englisch. Codice articolo 9783668542181
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Taschenbuch. Condizione: Neu. A Post-Structuralist Look at the Relationship Between Still and Moving Images | Chul Stride | Taschenbuch | 12 S. | Englisch | 2017 | GRIN Verlag | EAN 9783668542181 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. Codice articolo 110100002
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