Helen Frankenthaler: Painterly Constellations - Rilegato

Dreishpoon, Douglas; Engel, Nadine; Gabriel, Mary; Gorschlter, Peter

 
9783753301310: Helen Frankenthaler: Painterly Constellations

Sinossi

A superbly curated dialogue between paintings and works on paper spanning Frankenthaler’s trailblazing career

In this volume, around 70 works on paper from the late 1940s to the early 2000s are juxtaposed with a selection of paintings—around 10 key works—from each phase in the august career of Helen Frankenthaler (1928–2011). For example, the monumental work Salome (1978) is set alongside stylistically related paintings on paper from the same year. Similarly, the watercolor Great Meadows (1951), from the collection of the Museum of Modern Art, New York, functions as a decisive precedent for the staining and dripping procedures created the following year, most famously Mountains and Sea (1952)—the key Abstract Expressionist painting in Frankenthaler’s oeuvre. In some phases the medium of paper dominates, especially in the later work—abstract landscapes with a horizon as well as polychrome color fields.
The majority of the works depicted in the catalog come from the Helen Frankenthaler Foundation in New York, supplemented by private collections and institutions.

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Dalla quarta di copertina

Kunsthalle Krems and Museum Folkwang are presenting the painterly work of Helen Frankenthaler the great abstract expressionist and outstanding artist of the 20th century. Frankenthaler lived and worked in the epicenter of the New York School and created her groundbreaking abstract soak-stain pictures in the early 1950s, in succession of Jackson Pollock's Drip Paintings. It is considered a bridgehead between Action Painting and Color Field painting.

The focus of the publication are the painterly constellations on the medias canvas and paper. Over 70 works on paper - from the late 1940s to the early 2000s - are juxtaposed with an exclusive selection of paintings from the individual phases of Frankenthaler's artistic oeuvre. Frankenthaler's work is barely represented in European museums and collections and has seldom been shown extensively in German-speaking countries. The majority of the works depicted in the catalogue come from the Helen Frankenthaler Foundation in New York, supplemented by private collections and institutions.

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