Articoli correlati a Odilon Redon

Odilon Redon - Rilegato

Bouvier; Stuffmann

 
9783775737524: Odilon Redon

Sinossi

The oeuvre of Odilon Redon (1840–1916) marks the threshold between the nineteenth and twentieth centuries and thus represents the interplay between tradition and innovation. Fractures and contrasts characterize his artistic development―from the black and white of his early, dark lithographs and works in charcoal to the downright explosions of color in his bright pastels and oils. Bizarre monsters appear alongside heavenly creatures in a blend of dream and nightmare, nature and vision. Inclined to internalization, the mythic, sacred, and biological motifs in Redon’s works take on a sense of the mystical, owing to both the subject and the aesthetic aspects of color and form. Greatly admired by contemporaries such as Paul Cézanne and Paul Gauguin, Redon influenced artists such as Pierre Bonnard, Henri Matisse, and Marcel Duchamp as well as the Surrealists. The catalogue presents the artist’s brilliant ideas and his body of work in all of its artistic heterogeneity. (English edition ISBN 978-3-7757-3753-1)Exhibition schedule: Fondation Beyeler, Riehen/Basel, February 2–May 18, 2014

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Dalla quarta di copertina

Odilon Redon's fantastic imagery, evoking the workings of the unconscious mind, has often seemed to be more closely aligned with the art of the 20th century than that of the 19th. Yet his highly symbolic visions of a dreamlike world have remained enigmatic and frequently misunderstood. Published as the catalogue for the first major retrospective exhibition of Redon's work in the Royal Academy, London in February 1995 (previously shown at the Art Institute of Chicago), this book explores Redon's life and work in full detail. Re-shaping our understanding of this intriguing artist and his career, seven prominent experts place Redon in the context of his own time by analysing his relationship to the literary, scientific and cultural developments of the late 19th century. They offer a wide-ranging discussion of his literary and visual influences and sources, incorporating important new documentary material. The authors include Douglas Druick who is the Searle Curator of European Painting and Prince Trust Curator of Prints and Drawings at the Art Institute of Chicago; Peter Kort Zegers, Research Curator at the Art Institute of Chicago; Gloria Groom, Assistant Curator of European Painting at the Art Institute of Chicago; Fred Leeman, Chief Curator at the Van Gogh Museum, Amsterdam; Kevin Sharp, Exhibition Co-ordinator at the Art Institute of Chicago; Mary Anne Stevens, Librarian and Head of Education at the Royal Academy of Arts, London; and Harriet K. Straus, Associate Conservator at the Art Institute of Chicago.

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