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Hans Winterberg: IV. Streichquartett (1961) - Study Score - Bote & Bock (BB 3942): Streichquartett. Studienpartitur.
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Hans Winterberg’s Fourth String Quartet, composed in 1961, emerged during a turbulent period of doubt and uncertainty. As a younger generation of European composers broke sharply with tradition, Winterberg—himself a Shoah survivor—chose instead to preserve and renew the Czech-German-Jewish cultural synthesis that had shaped him. This work marks the start of a new creative phase, uniting Bohemian-Moravian folk influences in the lineage of Janáček with the modernist techniques of the Second Viennese School, learned from his teacher Zemlinsky. The result is a cohesive, rhythmically incisive, and powerfully expressive style that stands apart from the radical shifts of its time.
This edition is published in a study score format.
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IV. STREICHQUARTETT STRING QUARTET STUDY SCORE
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IV. Streichquartett: string quartet. Partition d'?tude.
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Condizione: New. 2025. sheet_music. . . . . . Codice articolo V9783793146094
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IV. Streichquartett: string quartet. Partition d'étude.
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IV. STREICHQUARTETT STRING QUARTET STUDY SCORE (Paperback)
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Paperback. Condizione: new. Paperback. (Boosey & Hawkes Scores/Books). Hans Winterberg's four string quartets were composed over a period of four decades between 1936 and 1961 and reflect the four stages of his eventful biography. He composed the first in what were probably the happiest moments of his life in his native city of Prague, the second under great hardship in the terrible war year of 1942, the third in 1957 during a phase of great compositional success in his adopted home of Munich, and the fourth in another dramatic phase of his life. It came at a moment of renewed doubt and uncertainty, when a young generation of composers in Europe was vehemently asserting itself, breaking with all traditions because it considered them obsolete and corrupted by fascism. Winterberg, a survivor of the Shoah, did not break with the past, but rather tried to continue the Czech-German-Jewish cultural symbiosis in his compositions after the war. The fourth quartet marks the beginning of a new creative phase in which he succeeded in combining the very different influences that shaped him - the Bohemian-Moravian, folk-inspired tradition as a successor of Janacek and the achievements of the Second Viennese School, imparted byhis teacher Alexander Zemlinsky - into a homogeneous, rhythmically pointed and expressive style. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9783793146094
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