Sinossi
In art history, we tend to be on first name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483–1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo.
From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael’s The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance.
This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time.
About the series
Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN’s Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull'autore
Christof Thoenes ha studiato storia dell’arte a Pavia e Berlino, città in cui si è addottorato. Dopo essere stato professore onorario ad Amburgo, si è trasferito a Roma, dove vive e dove ha lavorato per molti anni alla Bibliotheca Hertziana (Istituto Max Planck per la storia dell’arte). Ha scritto contributi per numerosi volumi sulla storia dell’arte italiana, in particolare sull’architettura e la teoria dell’architettura tra il XV e il XVIII secolo.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Raphael (Basic Art)
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Raphael 1483-1520: The Invention of the High Renaissance
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Taschen America Llc, 2016
ISBN 10: 3836532425
ISBN 13: 9783836532426
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Hardback. Condizione: New. In art history, we tend to be on first name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483-1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo. From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael's The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance. This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time. Codice articolo LU-9783836532426
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