Computers are considered to be highly ordered and overtly deterministic devices, offering predetermined outcomes. Nevertheless, the algorithmic paradoxes of an architectural software derive from the complexity of its infrastructure and cause non-linear processes of diagramming. According to the architect Bernard Tschumi, any "transformational sequence" (animation) is a kind of "operative drawing": a "prescriptive" and thus, non-descriptive activity. Nevertheless, a "transformational sequence" is not, by definition, "operative". Operative drawing emerges when the uncertainties of our reasoning, spatial perception and the paradoxes of digital diagramming, are creatively exposed. This can only happen through the superimposition, but not the material construction or cinematic projection, of a virtual spatial configuration onto its pre-existing actual referent. This inter-passage between a virtual (absolute, alienating) Cartesian space and an actual place is where the relationship between the digital and physical boundaries of built architecture can be delineated. Entering this inter-passage is entering a diagram itself: a destabilising, interpretative activity in progress.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Computers are considered to be highly ordered and overtly deterministic devices, offering predetermined outcomes. Nevertheless, the algorithmic paradoxes of an architectural software derive from the complexity of its infrastructure and cause non-linear processes of diagramming. According to the architect Bernard Tschumi, any 'transformational sequence' (animation) is a kind of 'operative drawing': a 'prescriptive' and thus, non-descriptive activity. Nevertheless, a 'transformational sequence' is not, by definition, 'operative'. Operative drawing emerges when the uncertainties of our reasoning, spatial perception and the paradoxes of digital diagramming, are creatively exposed. This can only happen through the superimposition, but not the material construction or cinematic projection, of a virtual spatial configuration onto its pre-existing actual referent. This inter-passage between a virtual (absolute, alienating) Cartesian space and an actual place is where the relationship between the digital and physical boundaries of built architecture can be delineated. Entering this inter-passage is entering a diagram itself: a destabilising, interpretative activity in progress. 64 pp. Englisch. Codice articolo 9783838351933
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: FRATZESKOU Dr EUGENIADr Eugenia Fratzeskou (b.1979, Athens) Author, Lecturer: MA Arch. University of Westminster, London. Awarded: AHRC-funded PhD 2006, MA, BA: Fine Art, University of Surrey/WCA. Contributor: JFSA Editor, Leonardo/M. Codice articolo 5415606
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
Taschenbuch. Condizione: Neu. Neuware -Computers are considered to be highly ordered and overtly deterministic devices, offering predetermined outcomes. Nevertheless, the algorithmic paradoxes of an architectural software derive from the complexity of its infrastructure and cause non-linear processes of diagramming. According to the architect Bernard Tschumi, any 'transformational sequence' (animation) is a kind of 'operative drawing': a 'prescriptive' and thus, non-descriptive activity. Nevertheless, a 'transformational sequence' is not, by definition, 'operative'. Operative drawing emerges when the uncertainties of our reasoning, spatial perception and the paradoxes of digital diagramming, are creatively exposed. This can only happen through the superimposition, but not the material construction or cinematic projection, of a virtual spatial configuration onto its pre-existing actual referent. This inter-passage between a virtual (absolute, alienating) Cartesian space and an actual place is where the relationship between the digital and physical boundaries of built architecture can be delineated. Entering this inter-passage is entering a diagram itself: a destabilising, interpretative activity in progress.Books on Demand GmbH, Überseering 33, 22297 Hamburg 64 pp. Englisch. Codice articolo 9783838351933
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Da: AHA-BUCH GmbH, Einbeck, Germania
Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Computers are considered to be highly ordered and overtly deterministic devices, offering predetermined outcomes. Nevertheless, the algorithmic paradoxes of an architectural software derive from the complexity of its infrastructure and cause non-linear processes of diagramming. According to the architect Bernard Tschumi, any 'transformational sequence' (animation) is a kind of 'operative drawing': a 'prescriptive' and thus, non-descriptive activity. Nevertheless, a 'transformational sequence' is not, by definition, 'operative'. Operative drawing emerges when the uncertainties of our reasoning, spatial perception and the paradoxes of digital diagramming, are creatively exposed. This can only happen through the superimposition, but not the material construction or cinematic projection, of a virtual spatial configuration onto its pre-existing actual referent. This inter-passage between a virtual (absolute, alienating) Cartesian space and an actual place is where the relationship between the digital and physical boundaries of built architecture can be delineated. Entering this inter-passage is entering a diagram itself: a destabilising, interpretative activity in progress. Codice articolo 9783838351933
Quantità: 1 disponibili