Sinossi
This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual’s relationship to the types of compositions produced and the individual’s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer’s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
L'autore
Michael Barkl (PhD, DCA) is an Australian composer born in Sydney. His works, which investigate the interplay of modernist and popular materials, have been performed by Michael Kieran Harvey, Sally Mays, James Wishart, Elision, Synergy, The Ensemble InterContemporain and the Adelaide, Tasmanian and Western Australian Symphony Orchestras.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Composition, Perception, Analysis
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LAP LAMBERT Academic Publishing Mai 2010, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual s relationship to the types of compositions produced and the individual s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results. 152 pp. Englisch. Codice articolo 9783838365015
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Composition, Perception, Analysis
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VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2010
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Composition, Perception, Analysis
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ISBN 13: 9783838365015
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Barkl MichaelMichael Barkl (PhD, DCA) is an Australian composer born in Sydney. His works, which investigate the interplay of modernist and popular materials, have been performed by Michael Kieran Harvey, Sally Mays, James Wishart. Codice articolo 5416838
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Composition, Perception, Analysis
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VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Composition, Perception, Analysis
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VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Composition, Perception, Analysis
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LAP LAMBERT Academic Publishing Mai 2010, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual's relationship to the types of compositions produced and the individual's relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer's role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 152 pp. Englisch. Codice articolo 9783838365015
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Composition, Perception, Analysis : The Musical Observer
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LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study looks at the ways in which music is analysed in the present time and the present context. It places the observer central to the overall picture and examines the individual s relationship to the types of compositions produced and the individual s relationship to the ways in which compositions can be perceived and understood. The process of composition is analysed in terms of spectatorship and reception: a social hierarchy is acknowledged which includes aspects of the contemporary composer s role as a teacher- philosopher-hero interacting with the practical concerns of training, competition, and the marketplace. The approach taken is an interdisciplinary one (incorporating, in a non- technical fashion, theories of perception) and examines the ways in which viewpoints of analysis of music carry with them the seeds of their own conclusions. The aim of the study is not to give a complete description of all issues that may be raised under the banner of composition-perception- analysis, but to make reference to some aspects that may be worth noting in the course of analytical work, and to suggest a wider context in which to place analytical results. Codice articolo 9783838365015
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Composition, Perception, Analysis | The Musical Observer
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LAP LAMBERT Academic Publishing, 2013
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Taschenbuch. Condizione: Neu. Composition, Perception, Analysis | The Musical Observer | Michael Barkl | Taschenbuch | 152 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783838365015 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. Codice articolo 101106101
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Composition, Perception, Analysis: The Musical Observer
Editore:
LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3838365011
ISBN 13: 9783838365015
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Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book. Codice articolo ERICA75838383650115
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