David Reed&;s innovative oeuvre and self-definition as a painter took place in the ground-breaking context of the Abstract Expression­ism, Pop Art and Minimalism. Reed&;s significance, which to this day has not been sufficiently ­appreciated, resides in the fact that his work evinces a simultaneous sensory opulence and analy­tical clarity, which in turn has to perform a self-transformation in paint­ing in order to arrive at adequate results under the auspices and conditions of a new digital reality. In so doing, Reed&;s paint­ing draws upon a basic experience of a reality which is only tangible through the medium of painting. Surrogate images have always ­lurked behind the supposedly ­authentic experience, the ap­parently real body, for within Reed&;s cosmos, the surrogate takes the place of the authentic because, in a world governed by images, the unique experience of the real takes place in the modality of the repetition of preformed images. The fitting experience here dates back to the late 1960s when Reed was engaged in classical plein air painting in the deserts of Arizona and New Mexico. After having spent the morning painting, he went in search of shade in a cave in the ­vicinity of Monument ­Valley and drank from a well there that seem­ed strangely famil­iar to him. He then found his way into a small ­canyon that was likewise familiar. Only years later did he realise the reason for this peculiar familiarity which this completely unknown locality held for him: he had once seen the cave in the John Ford movie »The Searchers« (1956).
The first illustrated catalogue of his paintings eagerly await­ed by devotees of abstract art, ­depicts them for the first time in a so-­called flatbook in an ap­propriate size without the aid of unap­pealing hinged flap.
Exhibition:
Kunstmuseum Bonn, 28/6&;7/10/2012
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David Reed, born 1946, lives in New York. He is knwon as a colorist and for creating long, narrow abstract paintings on canvas that are hung either lengthwise or vertically and feature several images resembling enlarged photographs of swirling brushstrokes juxtaposes in a single painting. His paintings are engaged in a crossover of film, electronic media and everyday cultural aspects. He is also an installation sculptor, video artist and a lecturer fo art and art history. He is also admiring art from the Baroque as well as works by Degas and Delacroix.
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Da: art4us - Antiquariat, Bonn, Germania
4°, illustr., Original-Karton. Condizione: Wie neu. 141 S. : zahlr. farb. Ill. wie neu O-07-21 9783864420139 Aufgrund der EPR-Regelung kann zur Zeit in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei. Bitte beachten Sie: Auf Grund der vorgegebenen Versandkosten von AbeBooks / ZVAB kann es bei Büchern über 1 kg oder bei mehrbändigen Werken zu höheren Versandkosten kommen. Please note: Due to the shipping costs specified by AbeBooks / ZVAB, there may be higher shipping costs for books over 1 kg or for multi-volume works. Sprache: Deutsch Gewicht in Gramm: 2300. Codice articolo 56402
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Da: medimops, Berlin, Germania
Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Codice articolo M0386442013X-V
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9783864420139. Codice articolo 8861046
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Da: Antiquariat Andreas Schwarz, Bonn, Germania
141 S.; Orig.-Broschur; 4°. Gutes Exemplar. Codice articolo D01207
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Da: Antiquariat UEBUE, Zürich, Svizzera
Softcover. Condizione: Sehr gut. 1. Auflage. Z : 24 x 30 cm, 144 pages with 80 coloured illustrations, brochure as flatbook - The first illustrated catalogue of Reeds paintings eagerly awaited by devotees of abstract art, depicts them for the first time in a so-called flatbook in an appropriate size without the aid of unappealing hinged flap. Codice articolo ABE-1591087157232
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Da: BWS BKS, Ferndale, NY, U.S.A.
Paperback. Condizione: New. Codice articolo 106339
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