David Smith (1906'1965) is widely considered one of the foremost artists of the 20th century. For the artist, there was no conceptual boundary between sculpture, painting, and drawing. The resulting works derive much of their power from this radically open-ended approach. Whereas the physical qualities of Smith's welded-steel sculptures transmit a strong industrial presence, their surfaces carry gestural and tactile imprints, often of hand-applied paint. The impact of his work results from his insistence that sculpture have the same visual impact as painting and drawing, and that drawing and painting have the same spatial weight as sculpture. Focusing on 20 works from the late 1950s until the artist's untimely and sudden death in 1965, »David Smith: Form in Color« charts the development of these stunning works with extensive illustrations and historic images culled from the archives of The Estate of David Smith. David Smith, born in 1906 in Decatur, Indiana, studied at the Art Students League in New York. In the early 1930s he began to focus on sculpture, creating welded constructions by using found objects and forged metal. Smith moved permanently to Bolton Landing, in upstate New York, in 1940, where he created a factory-like studio stocked with industrial tools and materials. From the late 1950s he filled the rolling hills that surrounded his studio with monumental works. He died in a car accident near Bennington, Vermont, in 1965. Smith paved the way for such artists as John Chamberlain, Mark di Suvero, Donald Judd, and Richard Serra by moving the site of sculpture's construction from the 19th-century confines of the artist's atelier and the fine-art foundry, into the expansive, industrial context of the 20th century.
Exhibition:
Hauser & Wirth Zurich, 12/6'18/9/2016
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David Smith (1906'1965) was am American sculptor, who was one of the foremost artists in the 20th century and the sculptor most closely linked to the Abstract Expressionist movement. He is known for his use of industrial methods and materials, and the integration of open space into sculpture. Spanning pure abstraction and using color as material, he has inspired the follower generations of sculptors since his death. His exhibition list starts starts 1938 with a show at East River Gallery New York followed by numerous shows, amongst others 1940 St Paul Gallery and School of Art, 1941 Walker Art Center Minneapolis, 1946 Alabama Polytechnic Institute Auburn AL, 1948 Hite Art Institute University of Louisville KY, 1952 Walker Art Center Minneapolis, 1957 The Museum of Modern Art New York, 1961 MIT Cambridge, 1964 Institute of Contemporary Art University of Pennsylvania, 1965 Los Angeles County Museum, 1966 Tate Gallery London, 1969 Guggenheim Museum New York, 1976 National galeri Berlin, 1979 Whitney Museum of American Art New York, 1980 Serpentin Gallery London, 1982 National Gallery of Art Washington DC, 1985 St Louis Art Museum, 1991 The Museum of Modern Art New York, 1998 Museum of Contemporary Art North Miami, 2000 The Metropolitan Museum of Art New York, 2006 Guggenheim Museum New York, 2011 Whitney Museum of American Art New York. The David Smith Estate is represented by Hauser & Wirth.
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Da: Thomas Emig, Altlandsberg, Germania
Hardcover. Condizione: Wie neu. Condizione sovraccoperta: Wie neu. 1. Auflage. 144 pages with many coloured illustrations; clotbound with illustrated jacket. Codice articolo 2023-017369
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G3864421837I4N00
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Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 144 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Codice articolo DaSmHa45
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Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condizione: Good. Condizione sovraccoperta: Good. 144 pages with 96 illustrations 48 in color. Wear to the corners and edges. Some tears and chipping along the dustjacket now protected with a Mylar cover. Published on the occasion of the exhibition from Hauser & Wirth, Zürich 12 June-18 September 2016. Plates. Book. Codice articolo 028195
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Da: Gallix, Gif sur Yvette, Francia
Condizione: Neuf. Codice articolo 9783864421839
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condizione: New. Codice articolo LU-9783864421839
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condizione: New. Codice articolo LU-9783864421839
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Da: preigu, Osnabrück, Germania
Buch. Condizione: Neu. David Smith: Form in Color | Katalog zur Ausstellung bei Hauser & Wirth | David Smith (u. a.) | Buch | Gebunden | Englisch | 2017 | Snoeck | EAN 9783864421839 | Verantwortliche Person für die EU: Snoeck Verlagsgesellschaft mbH, Postfach:13 02 17, 50739 Köln, mail[at]snoeck[dot]de | Anbieter: preigu. Codice articolo 122704585
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Da: AHA-BUCH GmbH, Einbeck, Germania
Buch. Condizione: Neu. Neuware - »I color them«David Smith (1906-1965) is widely considered one of the foremost artists of the 20th century. For the artist, there was no conceptual boundary between sculpture, painting, and drawing. The resulting works derive much of their power from this radically open-ended approach. Whereas the physical qualities of Smith's welded-steel sculptures transmit a strong industrial presence, their surfaces carry gestural and tactile imprints, often of hand-applied paint. The impact of his work results from his insistence that sculpture have the same visual impact as painting and drawing, and that drawing and painting have the same spatial weight as sculpture. Focusing on 20 works from the late 1950s until the artist's untimely and sudden death in 1965, »David Smith: Form in Color« charts the development of these stunning works with extensive illustrations and historic images culled from the archives of The Estate of David Smith. David Smith, born in 1906 in Decatur, Indiana, studied at the Art Students League in New York. In the early 1930s he began to focus on sculpture, creating welded constructions by using found objects and forged metal. Smith moved permanently to Bolton Landing, in upstate New York, in 1940, where he created a factory-like studio stocked with industrial tools and materials. From the late 1950s he filled the rolling hills that surrounded his studio with monumental works. He died in a car accident near Bennington, Vermont, in 1965. Smith paved the way for such artists as John Chamberlain, Mark di Suvero, Donald Judd, and Richard Serra by moving the site of sculpture's construction from the 19th-century confines of the artist's atelier and the fine-art foundry, into the expansive, industrial context of the 20th century.Exhibition:Hauser & Wirth Zurich, 12/6-18/9/2016; « I color them »David Smith (1906-1965) est toujours considéré comme l'un des plus éminents artistes du 20e siècle. Sur le plan conceptuel, il n'était plus pour lui question de différenciation entre sculpture, peinture et dessin. Ses oeuvres tirent une grande partie de leur force de cette approche radicale et ouverte. Même si la simple nature des sculptures d'acier soudé possède un caractère fortement industriel, leurs surfaces sont toujours marquées par des apparitions gestiques et haptiques nées d'applications manuelles de couleur. L'effet produit s'explique notamment par son obstination à affirmer que l'importance visuelle de la sculpture est la même que celle de la peinture et du dessin et que ces derniers déploient le même effet dans l'espace. Le catalogue comprend 20 oeuvres, de la fin des années 1950 à 1965, et retrace son évolution à l'aide d'une riche iconographie, notamment des photographies historiques tirées des archives du domaine de David Smith. Né en 1906 à Decatur, dans l'Indiana, il a d'abord fait ses études, notamment à l'université de l'Ohio, avant de gagner New York en 1926 où il commence à l'Art Students League. Au début des années 1930, il se concentre entièrement sur la sculpture et se met à souder des constructions d'objets trouvés et de métal forgé. En 1940, il s'établit à Bolton Landing, en-dehors de New York, et y installe un atelier richement doté de matériaux et d'outillages industriels dans un bâtiment d'usine. Depuis la fin des années 1950, il expose ses oeuvres monumentales dans les collines qui entourent son atelier. David Smith est mort en 1965 dans un accident de voiture près de Bennington, dans le Vermont. Il a ouvert la voie à des artistes comme John Chamberlain, Mark di Suvero, Donald Judd et Richard Serra, puisque c'est lui qui a libéré des limites étroites de l'atelier du 19e siècle et des moulages d'art le lieu de production des sculptures pour l'associer au contexte industriel du 20e siècle.Exposition :Hauser & Wirth Zurich, 12/6-18/9/2016; »I color them«David Smith (1906-1965) gilt weithin als einer der herausragenden Künstler des 20. Jahrhunderts. Konzeptuell kam für ihn eine Unterscheidung von Skulptur, Malerei und Zeichnung nicht mehr infrage. Viel von ihrer Kraft ziehen seine Arbeiten aus dieser radikal offenen Herangehensweise. Auch wenn die reine Physis der geschweißten Stahlskulpturen eine stark industrielle Anmutung besitzen, sind ihre Oberflächen stets von gestischen wie haptischen Erscheinungen geprägt, die durch händischen Farbauftrag entstehen. Die Wirkung seiner Arbeit liegt u. a. in seinem Beharren darauf, dass Skulptur dieselbe visuelle Bedeutung wie Malerei und Zeichnung hat, Malerei und Zeichnung dafür dieselbe räumliche Wirkung entfalten. Der vorliegende Katalog erfasst 21 Arbeiten, von den späten 1950er Jahren bis 1965, und dokumentiert so seine Entwicklung mithilfe reichhaltigen Bildmaterials, darunter auch historische Aufnahmen aus dem Archiv des Estate von David Smith. David Smith, geboren 1906 in Decatur, Indiana, besuchte zunächst das College u. a. an der Ohio Universität und zog 1926 nach New York, wo er ein Studium bei der Art Students League begann. In den frühen 1930er Jahren fokussierte er sich ganz auf Skulptur, schweißte Konstruktionen aus gefundenen Objekten und geschmiedetem Metall zusammen. 1940 übersiedelte er nach Bolton Landing, außerhalb von New York gelegen, und richtete sich dort ein mit industriellen Materialien und Werkzeugen reichlich ausgestattetes Atelier in einem Fabrikgebäude ein. Seit den späten 1950er Jahren stellte er in der Hügellandschaft rund um sein Atelier monumentale Arbeiten auf. 1965 starb David Smith bei einem Autounfall nahe Bennington, Vermont. David Smith hat Künstlern wie John Chamberlain, Mark di Suvero, Donald Judd und Richard Serra den Weg gewiesen, war doch er es, der den Ort der Produktion von Skulpturen aus den Beschränkungen des Künstlerateliers des 19. Jahrhunderts und der Kunstgießereien befreit und mit dem industriellen Kontext des 20. Jahrhunderts verbunden hat.Ausstellung:Hauser & Wirth Zürich, 12/6-18/9/2016. Codice articolo 9783864421839
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