One of the most important American artists of the postwar period, Donald Judd has come to define Minimalist art—though he continued to strongly object to this categorization throughout his life. His unaffected, straightforward approach to his work and his strong interest in color, form, material, and space led him to create striking art objects with a direct physical “presence,” eschewing grand philosophical statements. Judd began his practice as a painter in the late 1940s; however, he soon introduced three-dimensional elements into the surface of his work. His first sculptural objects took the form of shallow reliefs, and by 1963 he had begun to create freestanding works that were presented directly on the floor and the wall. Throughout his practice, Judd used materials such as plywood, steel, concrete, Plexiglas, and aluminum and employed commercial fabricators in order to get the surfaces and angles he desired, creating declaratively simple, fundamental sculptural forms. This publication documents an exhibition held at David Zwirner in New York in 2011, which brought together twelve identically scaled aluminum works from the artist’s seminal 1989 solo presentation at the Staatliche Kunsthalle Baden-Baden. That exhibition marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format —thus comprising one of his few explorations of color on a large scale and providing a focused investigation of one of the key concerns within his practice. Although he had previously examined the qualities of an open box form, the works created for Baden-Baden display a distinct systematic approach in determining the interior space of each box, which Judd divided vertically in different spatial configurations, sometimes introducing color through the use of anodized elements or sheets of Plexiglas in blue, black, or amber. The combinations of materials, dividers, and colors —which differ from box to box—thus determine the singular nature of each work within a finite number of variable possibilities, each of the boxes being an individual work that represents one possibility within the given parameters. Featuring new scholarship by art historian Richard Shiff, the book’s stunning visual elements are contextualized by such archival materials as Judd’s preparatory drawings, as well as an interview with the artist conducted in 1989 by Jochen Poetter.
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The work of Donald Judd (1928&;1994), one of the most significant American artists of the postwar period, has come to define what has been referred to as minimalist art&;a label to which the artist strongly objected on the grounds of its generality. The unaffected, straightforward quality of Judd&;s work demonstrates his strong interest in color, form, material, and space. With the intention of creating work that could assume a direct material and physical &;presence&; without recourse to grand philosophical statements, he eschewed the classical ideals of representational sculpture to create a rigorous visual vocabulary that sought clear and definite objects as its primary mode of articulation.
One of the most important American artists of the post-war period, Donald Judd has come to define Minimalist art a label he strongly objected to. His unaffected, straightforward approach and strong interest in colour, form, material and space, allowed him to create work with a direct material and physical presence without recourse to grand philosophical statements. This book presents works from Judds seminal 1989 exhibition at the Staatliche Kunsthalle Baden-Baden. Consisting of twelve identically scaled anodized aluminium works, this historic exhibition was the first time Judd presented coloured anodized aluminium in a large, floor-mounted format. Donald Judd includes new scholarship on Judd by art historian Richard Shiff, as well as archival material and interviews with the artist.
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Destinazione, tempi e costiDa: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Matte color-printed boards with the title in white down a gray spine. Pages: (17), 19-144. Profusely illustrated with color images. "This publication documents an exhibition of Donald Judd's work held at David Zwirner in New York in 2011, which presented works drawn from the artist's seminal 1989 exhibition held at the Staatliche Kunsthalle Baden-Baden, Germany. Consisting of 12 identically scaled anodized aluminum works, the historic exhibition at the Kunsthalle Baden-Baden was significant in that it marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format. The combinations of materials, dividers and colors--which differ from box to box--thus determine the singular nature of each work within a finite number of variable possibilities. As such, these works comprise one of Judd's few explorations of color on a large scale." VG: Exlibrary book. Stamp on top text block. Sticker on front free end page. Stamp on title page. Stamp, sticker, and due date card on back pasted end page. Codice articolo 203147
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Da: Readers Cove Used Books & Gallery, DEMING, NM, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Former small village library with minimal markings. Minimal wear. Clean and unmarked. ; 11.75 X 10.0 X 0.50 inches; 144 pages. Codice articolo 21955
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Codice articolo M3869303905Z3
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Da: Mausoleum Books, Glendale, CA, U.S.A.
Hardcover. Condizione: Near Fine. 1st Edition. Folio bound in glossy paper-covered boards. Near Fine. Superb copy. 144 pp. Please inquire about overseas shipping prior to purchase. Codice articolo ABE-1685479388401
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Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First edition and first printing. Hardcover. 144 pages. Monograph published in conjunction an exhibition that ran May 6 through June 25, 2011. Features texts by Richard Shiff and Joachen Poetter. Includes numerous color illustrations, a checklist, list of previous exhibitions, and a selected bibliography. A clean very fine copy in illustrated boards. No dust jacket as issued. Codice articolo 202535
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Da: dsmbooks, Liverpool, Regno Unito
hardcover. Condizione: Acceptable. Acceptable. book. Codice articolo D8S0-3-M-3869303905-2
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