Presentation of Data in Science: Publications, Slides, Posters, Overhead Projections, Tape-slides, Television Principles and Practices for Authors and Teachers - Brossura

Reynolds, Linda

Brossura

ISBN 10: 9024730546 ISBN 13: 9789024730544

Casa editrice: Springer, 1982

Riassunto

Basic essentials for black-and-white artwork 137 11. 2. 11. 2. 1. Paper 137 11. 2. 2. Pencils 141 11. 2. 3. Inks 142 11. 2. 4. Pens 142 11. 2. 5. Rulers and set squares 143 11. 2. 6. Templates and stencils 143 11. 2. 7. Erasers 144 Scalpels 144 11. 2. S. 11. 2. 9. Burnishers 144 11. 2. 10. Adhesives 152 11. 2. 11. Drafting tape 152 11. 2. 12. Drawing boards 153 11. 3. Other useful items for black-and-white artwork 153 11. 3. 1. Self-adhesive tapes 153 11. 3. 2. Dry-transfer symbols and lettering 154 11. 3. 3. Tone sheets 155 11. 3. 4. 'Pounce' powder 156 11. 3. 5. Fixatives and varnishes 156 11. 4. Additional materials for colour and OHP work 157 11. 4. 1. Self-adhesive colour sheets 157 11. 4. 2. Paints 157 11. 4. 3. Brushes 157 11. 4. 4. Cells and foils (acetate sheets) 158 11. 5. Working comfort 158 11. 5. 1. Organisation 158 11. 5. 2. Furniture 158 11. 5. 3. Lighting 159 12. Basic techniques 160 12. 1. Care and preparation of paper 160 12. 2. Ink work 160 12. 2. 1. Use of technical drawing pens 160 12. 2. 2. Blotting 163 12. 2. 3. Drawing ink lines 163 12. 2. 4. Finishing-off ink lines 165 12. 2. 5. Use of templates and stencils 165 12. 2. 6. Short cuts 165 12. 3. Correcting errors in ink work 167 12. 3. 1.

Su questo libro

Recensione

`Publish or perish is a cliché, but true and we all take it seriously. As a result the total medical output doubles about every seven years. Some books form important stepping stones to greater production, and easier life and the more efficient use of resources. This book is one to be recommended highly to all who write, lecture and teach.'
Journal of the Royal Society of Medicine, 75 (1982)
`...one of the most useful practical publications to appear in many a long day. It can be highly recommended.'
Journal of the Institute of Health Education, 23:3
`...Departmental Libraries that do not already possess it should add it to their shelves.'
Journal of the Royal Society of Medicine, 78 (1985)
`Presentation of Data in Science is an excellent book, and every serious research unit producing papers and preparing lectures should have a copy on its shelves - and should use it.'
British Medical Journal

Contenuti

1. The legibility of type.- 1.1. Introduction.- 1.2. Investigating legibility.- 1.2.1. The reading process.- 1.2.2. Methods of research.- 1.3. Type forms.- 1.3.1. The basic anatomy of type.- 1.3.2. Typeface.- 1.3.3. Type weight.- 1.3.4. Italics.- 1.3.5. Capitals versus lower case.- 1.3.6. Numerals.- 1.4. Type size.- 1.5. Line length.- 1.6. Line spacing.- 1.7. Letter and word spacing.- 1.8. Justified versus unjustified setting.- 1.9. Margins.- 1.10. Single- versus double-column layouts.- 1.11. Paper and ink.- 2. The presentation of text.- 2.1. The visual representation of information ‘structure’.- 2.2. Continuous text.- 2.2.1. Headings.- 2.2.2. Paragraphs.- 2.3. Bibliographies and references.- 2.4. Indexes.- 3. The presentation of tables.- 3.1. Structure.- 3.2. Layout and typography.- 3.2.1. General principles.- 3.2.2. Horizontal emphasis.- 3.2.3. Vertical emphasis.- 3.2.4. Headings.- 3.2.5. Lettering.- 4. The presentation of graphs, charts and diagrams.- 4.1. The relative merits of different kinds of illustration.- 4.2. The content of illustrations.- 4.3. General principles of presentation.- 4.3.1. Layout.- 4.3.2. Framing.- 4.3.3. Visual emphasis.- 4.4. The presentation of graphs and charts.- 4.4.1. Data points.- 4.4.2. Standard errors.- 4.4.3. Lines linking data points.- 4.4.4. Scale calibrations.- 4.4.5. Axes.- 4.4.6. Labelling of axes.- 4.4.7. Keys.- 4.4.8. Headings.- 5. Printed publications.- 5.1. Introduction.- 5.2. Graphic standards for graphs, charts and diagrams in printed journals.- 5.2.1. Instructions to authors.- 5.2.2. Reproduction ratios.- 5.2.3. Size of drafts and artwork.- 5.2.4. Formulae.- A. Capital letter height.- B. Line thickness.- C. Space between ruled lines.- D. Dot diameter.- 5.2.5. Character style.- 5.2.6. Character spacing.- 5.2.7. Space between lines of text.- 5.2.8. Tones and shading.- 5.2.9. Positive versus negative images.- 5.2.10. Contrast.- 5.2.11. Oversize artwork for publication.- 5.2.12. Compatibility with standards for slides.- 5.3. Guide lines for camera-ready copy.- 5.3.1. Copy for journals or proceedings of meetings.- 5.3.2. Copy for reports.- 5.4. Original artwork versus copies.- 5.4.1. Reasons for copying artwork.- 5.4.2. Copying methods.- 5.5. Overlays and cover sheets.- 5.6. Marks of identification.- 5.7. Sending artwork to the publisher or printer.- 6. Slides.- 6.1. Introduction.- 6.2. Planning a slide presentation.- 6.2.1. The use of ‘introduction’ and ‘conclusion’ slides.- 6.2.2. The body of the presentation.- 6.2.3. Constructing a story-board.- 6.2.4. Rehearsal.- 6.3. The content of slides.- 6.3.1. Word slides.- 6.3.2. Data slides.- 6.3.3. Headings for data slides.- 6.4. Graphic standards for slides.- 6.4.1. Originals.- 6.4.2. Slide formats.- 6.4.3. Size of drafts and artwork.- 6.4.4. Line thickness.- 6.4.5. Character height.- 6.4.6. Character style.- 6.4.7. Character spacing.- 6.4.8. Layout for word slides.- 6.4.9. Tones and shading.- 6.4.10. Positive versus negative images.- 6.4.11. Contrast.- 6.5. The use of colour.- 6.5.1. Black-and-white versus coloured artwork.- 6.5.2. The use of coloured images.- 6.5.3. The use of coloured backgrounds with black lettering.- 6.6. Testing slides.- 6.7. Projection of slides.- 6.8. The design of lecture theatres.- 7. Posters.- 7.1. Introduction.- 7.2. The content of posters.- 7.2.1. General principles.- 7.2.2. The structure of the poster.- 7.2.3. Headings.- 7.3. Useful equipment for poster production.- 7.4. Graphic standards for posters.- 7.4.1. Poster formats.- 7.4.2. Size of drafts and artwork.- 7.4.3. Character height.- 7.4.4. Character style.- 7.4.5. Layout for text.- 7.4.6. Illustrations.- 7.4.7. Poster layout.- 7.4.8. The use of colour.- 7.5. Packing and transporting poster displays.- 8. Overhead projection transparencies.- 8.1. Introduction.- 8.2. Graphic standards for transparencies.- 8.2.1. Originals.- 8.2.2. Format and size.- 8.2.3. Line thickness.- 8.2.4. Character height.- 8.2.5. Layout.- 8.2.6. The use of colour.- 8.3. Techniques in the use of OHP transparencies.- 8.3.1. Overlays.- 8.3.2. Reveals.- 8.3.3. Masking.- 8.4. Testing OHP transparencies.- 9. Tape-slide programmes.- 9.1. Introduction.- 9.2. Planning a tape-slide programme.- 9.3. Writing the script.- 9.4. Graphic standards.- 9.5. The recording.- 10. Television.- 10.1 Introduction.- 10.2. Graphic standards for television.- 10.2.1. Format.- 10.2.2. Size of drafts and artwork.- 10.2.3. Line thickness.- 10.2.4. Character height.- 10.2.5. Tones and shading.- 10.2.6. Contrast.- 10.2.7. The use of colour.- 11. Materials, equipment and working comfort.- 11.1. Introduction.- 11.2. Basic essentials for black-and-white artwork.- 11.2.1. Paper.- 11.2.2. Pencils.- 11.2.3. Inks.- 11.2.4. Pens.- 11.2.5. Rulers and set squares.- 11.2.6. Templates and stencils.- 11.2.7. Erasers.- 11.2.8. Scalpels.- 11.2.9. Burnishers.- 11.2.10. Adhesives.- 11.2.11. Drafting tape.- 11.2.12. Drawing boards.- 11.3. Other useful items for black-and-white artwork.- 11.3.1. Self-adhesive tapes.- 11.3.2. Dry-transfer symbols and lettering.- 11.3.3. Tone sheets.- 11.3.4. ‘Pounce’ powder.- 11.3.5. Fixatives and varnishes.- 11.4. Additional materials for colour and OHP work.- 11.4.1. Self-adhesive colour sheets.- 11.4.2. Paints.- 11.4.3. Brushes.- 11.4.4. Cells and foils (acetate sheets).- 11.5. Working comfort.- 11.5.1. Organisation.- 11.5.2. Furniture.- 11.5.3. Lighting.- 12. Basic techniques.- 12.1. Care and preparation of paper.- 12.2. Ink work.- 12.2.1. Use of technical drawing pens.- 12.2.2. Blotting.- 12.2.3. Drawing ink lines.- 12.2.4. Finishing-off ink lines.- 12.2.5. Use of templates and stencils.- 12.2.6. Short cuts.- 12.3. Correcting errors in ink work.- 12.3.1. General comments.- 12.3.2. Cut-and-stick corrections.- 12.3.3. Edge-crossing.- 12.3.4. Correcting with a knife.- 12.3.5. Correcting with paint.- 12.4. Use of dry-transfer materials.- 12.4.1. Lettering.- 12.4.2. Tones.- 12.4.3. Making corrections.- 12.5. Use of self-adhesive tones and colours.- 12.5.1. Methods of application.- 12.5.2. Trapped air bubbles.- 12.5.3. ‘Windows’.- 12.6. Simple object drawing for line diagrams.- 12.6.1. General principles.- 12.6.2. Basic shapes.- 12.6.3. Lighting.- 12.6.4. Special effects.- 12.6.5. Making symmetrical shapes.- 12.6.6. Observation of objects.- 13. Working method.- 13.1. Planning the illustration.- 13.1.1. Choice of media.- 13.1.2. Summary of standards.- 13.2. Making the draft.- 13.2.1. Rough sketches.- 13.2.2. The use of graph paper for drafts.- 13.2.3. The use of typewriter grids.- 13.3. Using the draft.- 13.3.1. Fixing the draft to the artwork or drawing board.- 13.3.2. Transferring information from the draft to the final artwork.- 13.4. Making the final artwork.- 13.5. Making additions to the artwork.- Literature.

Dettagli dell?edizione

• Editore: Springer
• Data di pubblicazione: 1982
• Lingua: Inglese
• ISBN 10: 9024730546
• ISBN 13: 9789024730544
• Rilegatura: Copertina flessibile
• Numero di pagine: 232
• Contatto del produttore: Springer Nature Customer Service Center GmbH; ProductSafety@springernature.com