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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film: 66 - Rilegato
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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
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- EditoreMouton de Gruyter
- Data di pubblicazione1984
- ISBN 10 9027930791
- ISBN 13 9789027930798
- RilegaturaCopertina rigida
- LinguaInglese
- Numero di pagine288
- Contatto del produttorenon disponibile
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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Approaches to Semiotics [AS], 66)
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Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Codice articolo Z1-L-026-01756
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Point of View in the Cinema
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Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer,. Codice articolo 5815728
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Point of View in the Cinema
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Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to 'naturalize' style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. 288 pp. Englisch. Codice articolo 9789027930798
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Point of View in the Cinema
Editore:
De Gruyter Mouton, De Gruyter Dez 1984, 1984
ISBN 10: 9027930791
ISBN 13: 9789027930798
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
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Buch. Condizione: Neu. Neuware -Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to 'naturalize' style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 288 pp. Englisch. Codice articolo 9789027930798
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Point of View in the Cinema : A Theory of Narration and Subjectivity in Classical Film
Editore:
De Gruyter Mouton, De Gruyter, 1984
ISBN 10: 9027930791
ISBN 13: 9789027930798
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Da: AHA-BUCH GmbH, Einbeck, Germania
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Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to 'naturalize' style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. Codice articolo 9789027930798
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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Approaches to Semiotics [AS], 66)
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Point of View in the Cinema
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HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo L1-9789027930798
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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9027930791. Codice articolo 5819116
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HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice articolo L1-9789027930798
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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Approaches to Semiotics [AS], 66)
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