Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which “discovered” the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism).
Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the “I” and the “Other”, on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the “great” stories (Lyotard).
In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance.
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Da: Antiquariaat Schot, Hendrik-Ido-Ambacht, Paesi Bassi
Original publisher's paper-covered boards, pictorial frontcover, large 8vo: [vi], 330pp., [xij], 12 contributions, graphs., notes, bibliographical notes. Contents: 1. Mario Moroni: Dynamics of Subjectivity in the Historical Avant-Garde. 2. Hubert van den Berg: Dadaist Subjectivity and the Politics of Indifference. On Some Contrasts and Correspondences between Dada in Zürich and Berlin. 3. Christine van Boheemen: Subjectivity in a Post-Colonial Symbolic. The Anxiety of Joyce. 4. Annelies Schulte Nordholt: Proust and Subjectivity. 5. Matthijs Engelberts: A Glimpse of the Self. Defence of Subjectivity in Beckett and his Later Theatre. 6. Willem G. Weststeijn: The Subject in Modern Russian Poetry. 7. Manfred Frank: Self-Awareness and Self-Knowledge. Mental Familiarity and Epistemic Self-Ascription. 8. Willem van Reijen: Tested to the Breaking Point: Postmodernity in Modernity. 9. Boris Groys: The Russian Novel as a Serial Murder or The Poetics of Bureaucracy. 10. Albrecht von Massow: Subjectivity as a Basic Presupposition of Modernity in Music. 11. Patricia Pisters: New Subjectivity in Cinema. The Vertigo of Strange Days. 12. Saskia Kersenboom: It Takes Three to Epistemology. Very fine copy - as new. Volume 12: Avant-Garde Critical Studies. Codice articolo 152600
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Da: Brook Bookstore, Milano, MI, Italia
Condizione: new. Codice articolo e86ef03a8d5e1951eafb19b029a25d2e
Quantità: 3 disponibili
Da: Revaluation Books, Exeter, Regno Unito
Library Binding. Condizione: Brand New. 336 pages. 8.90x6.10x1.00 inches. In Stock. Codice articolo __9042007389
Quantità: 1 disponibili