Goethe wrote that after experiencing a Paganini concert he had, heard something meteoric, and was unable to understand it". It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond. The 24 Caprices were probably composed around 1805 - and probably not for public performance. They provide a compendium of Paganini's technique, including extraordinary velocity, a variety of bowing style (balzato, spiccato, martellato etc.), passages in thirds, sixths, octaves and tenths, multiple stopping (up to quadruple), double trilling, left handed pizzicato and the imitation of other instruments (flute, guitar, and horn). No violinist should be without this classic Edition Peters Urtext edition of one of the most important works for the instrument."
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paperback. Condizione: New. 23 X 30 Cm. Lingua: german. Codice articolo V246
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Da: CONTINUO Noten-Buch-Versand, Spabrücken, Germania
Softcover. Condizione: New. Violine . Codice articolo EP-9979
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Da: moluna, Greven, Germania
Condizione: New. Codice articolo 5845710
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Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
Paperback. Condizione: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond.Faber Music GmbH, Talstraße 10, 04103 Leipzig 64 pp. Englisch, Deutsch, Französisch. Codice articolo INF1000420243
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Condizione: new. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9790014079246
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Da: AHA-BUCH GmbH, Einbeck, Germania
Paperback. Condizione: Neu. Neu Neuware, auf Lager - Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond.The 24 Caprices were probably composed around 1805 - and probably not for public performance. They provide a compendium of Paganini's technique, including extraordinary velocity, a variety of bowing style (balzato, spiccato, martellato etc.), passages in thirds, sixths, octaves and tenths, multiple stopping (up to quadruple), double trilling, left handed pizzicato and the imitation of other instruments (flute, guitar, and horn). No violinist should be without this Urtext edition of one of the most important works for the instrument.24 Capricen op. 1 für ViolineGoethe schrieb, dass er, nachdem er ein Paganini-Konzert erlebt hatte, 'etwas Kometenhaftes gehà rt hatte und es nicht verstehen konnte'. Erst spät in seiner Karriere erlangte Paganini au�erhalb seines Heimatlandes Italien gro�e Bekanntheit. Im Jahr 1828 unternahm er seine erste Tournee und kehrte 1834 endgültig nach Italien zurück. Doch der Eindruck, den er in diesen Jahren hinterlie�, hatte tiefgreifende Auswirkungen, nicht nur auf den Verlauf der Geigentechnik, sondern auch darauf, wie Virtuosität im Allgemeinen darin integriert werden konnte ernsthafte Komposition - sein Einfluss ist in der Musik von Liszt und Schumann über Brahms bis Rachmaninow (um nur einige derjenigen zu nennen, die Themen aus diesen Capricen direkt verwendet haben) und darüber hinaus spürbar.Die 24 Capricen wurden vermutlich um 1805 komponiert - und wohl nicht für die à ffentliche Aufführung. Sie bieten ein Kompendium von Paganinis Technik, einschlie�lich au�ergewà hnlicher Geschwindigkeit, einer Vielzahl von Bogenstilen (Balzato, Spiccato, Martellato usw.), Passagen in Terzen, Sexten, Oktaven und Zehnteln, mehrfachen Anschlägen (bis zu vierfachen), Doppeltrillern und Linkshändern Pizzicato und die Nachahmung anderer Instrumente (Flà te, Gitarre und Horn). Diese Urtextausgabe eines der bedeutendsten Werke für dieses Instrument sollte bei keinem Geiger fehlen. Codice articolo INF1000774625
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Da: Livre et Partition en Stock, Marseille, Francia
Condizione: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi. Codice articolo 9790014079246
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Da: preigu, Osnabrück, Germania
Condizione: Neu. 24 Capricen für Violine solo op. 1 | Niccolò Paganini | Broschüre | Edition Peters | 64 S. | Deutsch | 2001 | Faber Music GmbH | EAN 9790014079246 | Verantwortliche Person für die EU: C.F. Peters Ltd & Co. KG Ein Unternehmen der EDITION PETERS, Talstr. 10, 04103 Leipzig, vertrieb[at]fabermusic[dot]com | Anbieter: preigu. Codice articolo 107250829
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