Articoli correlati a 24 Caprices Op. 1 for Violin
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Goethe wrote that after experiencing a Paganini concert he had, heard something meteoric, and was unable to understand it". It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond. The 24 Caprices were probably composed around 1805 - and probably not for public performance. They provide a compendium of Paganini's technique, including extraordinary velocity, a variety of bowing style (balzato, spiccato, martellato etc.), passages in thirds, sixths, octaves and tenths, multiple stopping (up to quadruple), double trilling, left handed pizzicato and the imitation of other instruments (flute, guitar, and horn). No violinist should be without this classic Edition Peters Urtext edition of one of the most important works for the instrument."
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24 CAPRICEN URTEXT
Da: KALAMO BOOKS, Burriana, CS, Spagna
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24 Caprices Op. 1 for Violin
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UNK. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo GB-9790014079246
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24 Capricen für Violine solo op. 1
Da: Wegmann1855, Zwiesel, Germania
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sonst. Bücher. Condizione: Neu. Neuware -Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond. Codice articolo 9790014079246
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24 Capricen für Violine solo op. 1
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Condizione: New. Codice articolo 5845710
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24 Caprices Op. 1 for Violin
Da: PBShop.store US, Wood Dale, IL, U.S.A.
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UNK. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo GB-9790014079246
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24 Capricen für Violine solo op. 1
Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germania
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sonst. Bücher. Condizione: Neu. Neuware -Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond.The 24 Caprices were probably composed around 1805 - and probably not for public performance. They provide a compendium of Paganini's technique, including extraordinary velocity, a variety of bowing style (balzato, spiccato, martellato etc.), passages in thirds, sixths, octaves and tenths, multiple stopping (up to quadruple), double trilling, left handed pizzicato and the imitation of other instruments (flute, guitar, and horn). No violinist should be without this Urtext edition of one of the most important works for the instrument.24 Capricen op. 1 für ViolineGoethe schrieb, dass er, nachdem er ein Paganini-Konzert erlebt hatte, 'etwas Kometenhaftes gehà rt hatte und es nicht verstehen konnte'. Erst spät in seiner Karriere erlangte Paganini auÃ?erhalb seines Heimatlandes Italien groÃ?e Bekanntheit. Im Jahr 1828 unternahm er seine erste Tournee und kehrte 1834 endgültig nach Italien zurück. Doch der Eindruck, den er in diesen Jahren hinterlieÃ?, hatte tiefgreifende Auswirkungen, nicht nur auf den Verlauf der Geigentechnik, sondern auch darauf, wie Virtuosität im Allgemeinen darin integriert werden konnte ernsthafte Komposition - sein Einfluss ist in der Musik von Liszt und Schumann über Brahms bis Rachmaninow (um nur einige derjenigen zu nennen, die Themen aus diesen Capricen direkt verwendet haben) und darüber hinaus spürbar.Die 24 Capricen wurden vermutlich um 1805 komponiert - und wohl nicht für die à ffentliche Aufführung. Sie bieten ein Kompendium von Paganinis Technik, einschlieÃ?lich auÃ?ergewà hnlicher Geschwindigkeit, einer Vielzahl von Bogenstilen (Balzato, Spiccato, Martellato usw.), Passagen in Terzen, Sexten, Oktaven und Zehnteln, mehrfachen Anschlägen (bis zu vierfachen), Doppeltrillern und Linkshändern Pizzicato und die Nachahmung anderer Instrumente (Flà te, Gitarre und Horn). Diese Urtextausgabe eines der bedeutendsten Werke für dieses Instrument sollte bei keinem Geiger fehlen. 64 pp. Englisch, Deutsch. Codice articolo 9790014079246
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24 Capricen für Violine solo op. 1
Da: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germania
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sonst. Bücher. Condizione: Neu. Neuware -Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond.The 24 Caprices were probably composed around 1805 - and probably not for public performance. They provide a compendium of Paganini's technique, including extraordinary velocity, a variety of bowing style (balzato, spiccato, martellato etc.), passages in thirds, sixths, octaves and tenths, multiple stopping (up to quadruple), double trilling, left handed pizzicato and the imitation of other instruments (flute, guitar, and horn). No violinist should be without this Urtext edition of one of the most important works for the instrument.24 Capricen op. 1 für ViolineGoethe schrieb, dass er, nachdem er ein Paganini-Konzert erlebt hatte, 'etwas Kometenhaftes gehà rt hatte und es nicht verstehen konnte'. Erst spät in seiner Karriere erlangte Paganini auÃ?erhalb seines Heimatlandes Italien groÃ?e Bekanntheit. Im Jahr 1828 unternahm er seine erste Tournee und kehrte 1834 endgültig nach Italien zurück. Doch der Eindruck, den er in diesen Jahren hinterlieÃ?, hatte tiefgreifende Auswirkungen, nicht nur auf den Verlauf der Geigentechnik, sondern auch darauf, wie Virtuosität im Allgemeinen darin integriert werden konnte ernsthafte Komposition - sein Einfluss ist in der Musik von Liszt und Schumann über Brahms bis Rachmaninow (um nur einige derjenigen zu nennen, die Themen aus diesen Capricen direkt verwendet haben) und darüber hinaus spürbar.Die 24 Capricen wurden vermutlich um 1805 komponiert - und wohl nicht für die à ffentliche Aufführung. Sie bieten ein Kompendium von Paganinis Technik, einschlieÃ?lich auÃ?ergewà hnlicher Geschwindigkeit, einer Vielzahl von Bogenstilen (Balzato, Spiccato, Martellato usw.), Passagen in Terzen, Sexten, Oktaven und Zehnteln, mehrfachen Anschlägen (bis zu vierfachen), Doppeltrillern und Linkshändern Pizzicato und die Nachahmung anderer Instrumente (Flà te, Gitarre und Horn). Diese Urtextausgabe eines der bedeutendsten Werke für dieses Instrument sollte bei keinem Geiger fehlen. 64 pp. Englisch, Deutsch. Codice articolo 9790014079246
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24 Caprices Op. 1 for Violin: Urtext (Edition Peters)
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Condizione: New. In English. Codice articolo ria9790014079246_new
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24 Capricen
Da: CONTINUO Noten-Buch-Versand, Spabrücken, Germania
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Softcover. Condizione: New. Violine . Codice articolo EP-9979
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24 Capricen für Violine solo op. 1 (Edition Peters)
Da: buchversandmimpf2000, Emtmannsberg, BAYE, Germania
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Paperback. Condizione: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made his first tour in 1828, and returned to Italy for good in 1834. But the impression he made during these years was to have a profound effect, not only on the course of violin technique but on how virtuosity in general could be incorporated into serious composition - his influence can be felt in music from Liszt and Schumann through Brahms to Rachmaninov (to name but a few of those who have used themes from these Caprices directly) and beyond.Faber Music GmbH, Talstraße 10, 04103 Leipzig 64 pp. Englisch, Deutsch, Französisch. Codice articolo INF1000420243
Quantità: 1 disponibili