There are hundreds of books that teach you to write a poem. This one starts where they stop.
You have a draft. Something is wrong with it. You can feel it and you cannot name it, and so you begin improving lines, and the poem gets smoother and deader with every pass.
The problem is that you are editing before you know what the poem is running on.
Reading the Poem Backward is a working method for editing poems, built during the editing of twenty poems and mostly discovered by getting it wrong. It runs the writing process in reverse to recover a poem's engine, then subtracts everything fighting it, then restores what should never have been cut.
Every draft quoted is a real draft. The failures are left in.
The central claim: a broken poem is almost never missing something. It is carrying something, and it is heavy.
And a warning, which the book makes against itself: remove all fifteen faults and you will have a poem with nothing wrong with it, and nothing wrong with it is a description of a corpse.
For poets with drafts they cannot fix. For editors who want a vocabulary instead of an opinion. For anyone who has been told a poem "isn't working" and given nothing to do about it.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
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