Bradley Maniopolos has Problems.
Sedona, Arizona Plays Host to Them.
When attendees at the “Neo-Anthropocentric Models of Retrospective Freedoms” colloquium arrive in spiritual Sedona, they become facilitator Bradley Maniopolos’s problem. Scholarly debate immediately devolves into who has freedom, who doesn’t, who’s getting it, who confers it, who assumes it, who guarantees it, and why the hell anyone cares. All the while, pontificating on stolen land.
But Bradley has problems of his own. Looming retirement. His identity. Personal issues of a private nature he’d rather not talk about. Too bad his best friend can’t keep his mouth shut, and the billionaire benefactors are keeping tabs through social media.
In the tradition of Catch-22, A Confederacy of Dunces, and The Sellout, Wrequiem at the Red Rocks makes you laugh until you see yourself. Then you cry. It’s not art that wins universal praise, but in the brutalist tradition, the satire is functional and effective exposing the hypocrisies we flawed humans depend on, and vociferously deny.
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Paperback. Condizione: new. Paperback. Bradley Maniopolos has problems.Spiritual Sedona plays host to them. When attendees at the "Neo-Anthropocentric Models of Retrospective Freedoms" colloquium arrive in Sedona, they become facilitator Bradley Maniopolos's problem. Scholarly debate immediately devolves into who has freedom, who doesn't, who's getting it, who confers it, who assumes it, who guarantees it, and why the hell any of it matters. All while, pontificating on stolen land.But Bradley has problems of his own. Looming retirement. His identity. Personal issues of a private nature he'd rather not talk about. Too bad his best friend can't keep his mouth shut, and the billionaire benefactors are keeping tabs through social media. In the tradition of Catch-22, A Confederacy of Dunces, and The Sellout, Wrequiem at the Red Rocks makes you laugh until you see yourself. Then you cry. It's not art that wins universal praise, but in the brutalist tradition, the satire is functional and effective in exposing the hypocrisies we flawed humans depend on-and vociferously deny. In Wrequiem at the Red Rocks, the effort to enrich the concept of freedom becomes a thin gruel of semantic satiation. Words lose meaning, people lose power, everyone is disgusted, and no one walks away unscathed. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9798991272230
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Paperback. Condizione: new. Paperback. Bradley Maniopolos has problems.Spiritual Sedona plays host to them. When attendees at the "Neo-Anthropocentric Models of Retrospective Freedoms" colloquium arrive in Sedona, they become facilitator Bradley Maniopolos's problem. Scholarly debate immediately devolves into who has freedom, who doesn't, who's getting it, who confers it, who assumes it, who guarantees it, and why the hell any of it matters. All while, pontificating on stolen land.But Bradley has problems of his own. Looming retirement. His identity. Personal issues of a private nature he'd rather not talk about. Too bad his best friend can't keep his mouth shut, and the billionaire benefactors are keeping tabs through social media. In the tradition of Catch-22, A Confederacy of Dunces, and The Sellout, Wrequiem at the Red Rocks makes you laugh until you see yourself. Then you cry. It's not art that wins universal praise, but in the brutalist tradition, the satire is functional and effective in exposing the hypocrisies we flawed humans depend on-and vociferously deny. In Wrequiem at the Red Rocks, the effort to enrich the concept of freedom becomes a thin gruel of semantic satiation. Words lose meaning, people lose power, everyone is disgusted, and no one walks away unscathed. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9798991272230
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Paperback. Condizione: new. Paperback. Bradley Maniopolos has problems.Spiritual Sedona plays host to them. When attendees at the "Neo-Anthropocentric Models of Retrospective Freedoms" colloquium arrive in Sedona, they become facilitator Bradley Maniopolos's problem. Scholarly debate immediately devolves into who has freedom, who doesn't, who's getting it, who confers it, who assumes it, who guarantees it, and why the hell any of it matters. All while, pontificating on stolen land.But Bradley has problems of his own. Looming retirement. His identity. Personal issues of a private nature he'd rather not talk about. Too bad his best friend can't keep his mouth shut, and the billionaire benefactors are keeping tabs through social media. In the tradition of Catch-22, A Confederacy of Dunces, and The Sellout, Wrequiem at the Red Rocks makes you laugh until you see yourself. Then you cry. It's not art that wins universal praise, but in the brutalist tradition, the satire is functional and effective in exposing the hypocrisies we flawed humans depend on-and vociferously deny. In Wrequiem at the Red Rocks, the effort to enrich the concept of freedom becomes a thin gruel of semantic satiation. Words lose meaning, people lose power, everyone is disgusted, and no one walks away unscathed. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9798991272230
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Taschenbuch. Condizione: Neu. Neuware - Bradley Maniopolos has problems.Spiritual Sedona plays host to them. When attendees at the 'Neo-Anthropocentric Models of Retrospective Freedoms' colloquium arrive in Sedona, they become facilitator Bradley Maniopolos's problem. Scholarly debate immediately devolves into who has freedom, who doesn't, who's getting it, who confers it, who assumes it, who guarantees it, and why the hell any of it matters. All while, pontificating on stolen land.But Bradley has problems of his own. Looming retirement. His identity. Personal issues of a private nature he'd rather not talk about. Too bad his best friend can't keep his mouth shut, and the billionaire benefactors are keeping tabs through social media. In the tradition of Catch-22, A Confederacy of Dunces, and The Sellout, Wrequiem at the Red Rocks makes you laugh until you see yourself. Then you cry. It's not art that wins universal praise, but in the brutalist tradition, the satire is functional and effective in exposing the hypocrisies we flawed humans depend on-and vociferously deny. Codice articolo 9798991272230
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