ALEXANDER CALDER: Radical Inventor

Grace, Anne et al.; Montreal. Museum of Fine Arts;

ISBN 10: 887439828X / ISBN 13: 9788874398287

Editore: 2018, 2019

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Grace, Anne et al. ALEXANDER CALDER: Radical Inventor. 240 pages, including 250 color plates. 4to, wraps. Milan, 5 Continents, 2018. This book, published to accompany a major exhibition, shows how Calder's work emerged from expectations of change in American popular culture.

Codice articolo 166715

Dati bibliografici

• Titolo: ALEXANDER CALDER: Radical Inventor
• Editore: 2018
• Data di pubblicazione: 2019
• Lingua: Inglese
• ISBN 10: 887439828X
• ISBN 13: 9788874398287
• Rilegatura: Brossura

Descrizione articolo

Riassunto

Il catalogo della prima importante retrospettiva sull'opera di Alexander Calder dopo la mostra al Musée des Beaux-Arts du Canada nel 1998, presenta un centinaio di opere sotto una nuova luce, sculture di filo di ferro mobili e stabili realizzate nel corso della sua carriera.

Informazioni sugli autori

Anne Grace is the curator of Radical Inventor: A Retrospective of Alexander Calder and Curator of Exhibitions and Education at the Montreal Museum of Fine Arts. In her former role as Curator of Modern Art at the MMFA, she co-organised numerous exhibitions, most recently From Van Gogh to Kandinsky: Impressionism to Expressionism 1900-1914 (2014). Elizabeth Hutton Turner is Professor of Modern Art at the University of Virginia, former Senior Curator of the Phillips Collection, and a renowned scholar of Calder's work. She was also a consultant for the Calder Museum Project in Philadelphia and project director, author, and editor for several exhibition catalogues of Calder's work. W. Bernard Carlson is a professor in the Department of Science, Technology, and Society and in the History Department at the University of Virginia. Linda Dalrymple Henderson is David Bruton, Jr. Centennial Professor in Art History, Distinguished Teaching Professor, and Regents' Outstanding Teaching Professor, Department of Art and Art History, University of Texas at Austin. Pascal Jacob is a circus arts historian and teacher, and the artistic director of Cirque Phénix and the Festival Mondial du Cirque de Demain. Abigail Mack is an independent conservator and advisor to the Calder Foundation. Vanja Malloy is Curator of American Art at the Mead Art Museum at Amherst College. Eleonora Nagy is Conservator of Three-Dimensional Works of Art at the Whitney Museum of American Art. Arnauld Pierre is Professor of Art History at the Université de Paris (Sorbonne IV). He is the author of the monograph Calder. Mouvement et réalité (2009). Claire Raymond is lecturer for the program in Art History at the University of Virginia. Emily C. Reed is a Ph.D. candidate in History of Art and Architecture at the University of Virginia. Alex J. Taylor is a historian of modern art and visual culture.

Anne Grace is the curator of Radical Inventor: A Retrospective of Alexander Calder and Curator of Exhibitions and Education at the Montreal Museum of Fine Arts. In her former role as Curator of Modern Art at the MMFA, she co-organised numerous exhibitions, most recently From Van Gogh to Kandinsky: Impressionism to Expressionism 1900-1914 (2014). Elizabeth Hutton Turner is Professor of Modern Art at the University of Virginia, former Senior Curator of the Phillips Collection, and a renowned scholar of Calder's work. She was also a consultant for the Calder Museum Project in Philadelphia and project director, author, and editor for several exhibition catalogues of Calder's work. W. Bernard Carlson is a professor in the Department of Science, Technology, and Society and in the History Department at the University of Virginia. Linda Dalrymple Henderson is David Bruton, Jr. Centennial Professor in Art History, Distinguished Teaching Professor, and Regents' Outstanding Teaching Professor, Department of Art and Art History, University of Texas at Austin. Pascal Jacob is a circus arts historian and teacher, and the artistic director of Cirque Phénix and the Festival Mondial du Cirque de Demain. Abigail Mack is an independent conservator and advisor to the Calder Foundation. Vanja Malloy is Curator of American Art at the Mead Art Museum at Amherst College. Eleonora Nagy is Conservator of Three-Dimensional Works of Art at the Whitney Museum of American Art. Arnauld Pierre is Professor of Art History at the Université de Paris (Sorbonne IV). He is the author of the monograph Calder. Mouvement et réalité (2009). Claire Raymond is lecturer for the program in Art History at the University of Virginia. Emily C. Reed is a Ph.D. candidate in History of Art and Architecture at the University of Virginia. Alex J. Taylor is a historian of modern art and visual culture.

Anne Grace is the curator of Radical Inventor: A Retrospective of Alexander Calder and Curator of Exhibitions and Education at the Montreal Museum of Fine Arts. In her former role as Curator of Modern Art at the MMFA, she co-organised numerous exhibitions, most recently From Van Gogh to Kandinsky: Impressionism to Expressionism 1900-1914 (2014). Elizabeth Hutton Turner is Professor of Modern Art at the University of Virginia, former Senior Curator of the Phillips Collection, and a renowned scholar of Calder's work. She was also a consultant for the Calder Museum Project in Philadelphia and project director, author, and editor for several exhibition catalogues of Calder's work. W. Bernard Carlson is a professor in the Department of Science, Technology, and Society and in the History Department at the University of Virginia. Linda Dalrymple Henderson is David Bruton, Jr. Centennial Professor in Art History, Distinguished Teaching Professor, and Regents' Outstanding Teaching Professor, Department of Art and Art History, University of Texas at Austin. Pascal Jacob is a circus arts historian and teacher, and the artistic director of Cirque Phénix and the Festival Mondial du Cirque de Demain. Abigail Mack is an independent conservator and advisor to the Calder Foundation. Vanja Malloy is Curator of American Art at the Mead Art Museum at Amherst College. Eleonora Nagy is Conservator of Three-Dimensional Works of Art at the Whitney Museum of American Art. Arnauld Pierre is Professor of Art History at the Université de Paris (Sorbonne IV). He is the author of the monograph Calder. Mouvement et réalité (2009). Claire Raymond is lecturer for the program in Art History at the University of Virginia. Emily C. Reed is a Ph.D. candidate in History of Art and Architecture at the University of Virginia. Alex J. Taylor is a historian of modern art and visual culture.