The Actor and the Target. Questo articolo non è disponibile.
Lingua: inglese
Editore: Nick Hern Books, United Kingdom, London, 2005
- Brossura
- Usato

Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
Venditore AbeBooks dal 16 marzo 2007
Condizione: Usato - Molto buono
EUR 29,92
Descrizione dell’articolo da parte del venditore
A revised and updated edition of Declan Donnellan's bestselling book, a fresh and radical approach to acting by a world-famous director. 'Cuts open every generalisation about acting and draws out gleamingly fresh specifics' Peter Brook 'Explains Donnellan's highly practical system and sheds unique light on one of the greatest directors of acting in our time' Le Monde 'Hugely practical and never gets lost in theory' El Pais 'A gripping read, as acute about the psychology of lying as it is about the art of acting' Guardian 'Rooted in modern theatre, modern psychology and, above all, modern reality' Izvestia 'Unpretentious, straightforward, and pierced with acute insight' Kommersant. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Codice articolo GOR001756564
- Titolo
- The Actor and the Target
- Autore
- Declan Donnellan
- Editore
- Nick Hern Books, United Kingdom, London
- Anno di pubblicazione
- 2005
- Condizione
- Very Good
- Rilegatura
- Paperback
- Lingua
- inglese
- ISBN 10
- 1854598384
- ISBN 13
- 9781854598387
- Peso dell'articolo
- 358 grammi
- Dimensioni
- 138.0 x 216.0
A revised and updated edition of Declan Donnellan's bestselling book, a fresh and radical approach to acting by a world-famous director.
'Cuts open every generalisation about acting and draws out gleamingly fresh specifics' Peter Brook
'Explains Donnellan's highly practical system and sheds unique light on one of the greatest directors of acting in our time' Le Monde
'Hugely practical and never gets lost in theory' El Pais
'A gripping read, as acute about the psychology of lying as it is about the art of acting' Guardian
'Rooted in modern theatre, modern psychology and, above all, modern reality' Izvestia
'Unpretentious, straightforward, and pierced with acute insight' Kommersant
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